2024年1月29日 星期一

漫談"Donald Keene 譯/著的日本文學" 21:The Winter Sun Shines In: A Life of Masaoka Shiki 正岡 子規



Masaoka Shiki (正岡 子規, October 14, 1867 – September 19, 1902), pen-name of Masaoka Noboru (正岡 升),[2] was a Japanese poet, author, and literary critic in Meiji period Japan. Shiki is regarded as a major figure in the development of modern haiku poetry,[3] credited with writing nearly 20,000 stanzas during his short life.[4] He also wrote on reform of tanka poetry.[5]

Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa.[6][7]




In this new biography of Masaoka Shiki, Donald Keene tells Shiki's story with a wonderful blend of brio and depth. Meticulously researched and beautifully written, the work delves into hitherto slighted aspects of Shiki's oeuvre and personality. Readers of Japanese and world literature will welcome this book for its rich portrait of one of modern Japan's most important writers. -- Janine Beichman, author of Masaoka Shiki: His Life and Works









The Winter Sun Shines In: A Life of Masaoka Shiki (Asia Perspectives: History, Society, and Culture) Kindle Edition
作者 Donald Keene (Author) 格式: Kindle Edition

  • 出版者 ‏ : ‎ Columbia University Press; Reprint版 (2013年 8月 20日)
  • 出版日期 ‏ : ‎ 2013年 8月 20日
  • 語言 ‏ : ‎ English

  • 便利貼 ‏ : ‎ 在 Kindle Scribe 上
  • 列印長度 ‏ : ‎ 240 頁



Rather than resist the vast social and cultural changes sweeping Japan in the nineteenth century, the poet Masaoka Shiki (1867–1902) instead incorporated new Western influences into his country's native haiku and tanka verse. By reinvigorating these traditional forms, Shiki released them from outdated conventions and made them more responsive to newer trends in artistic expression. Altogether, his reforms made the haiku Japan's most influential modern cultural export.

Using extensive readings of Shiki's own writings and accounts of the poet by his contemporaries and family, Donald Keene charts Shiki's revolutionary (and often contradictory) experiments with haiku and tanka, a dynamic process that made the survival of these traditional genres possible in a globalizing world. Keene particularly highlights random incidents and encounters in his impressionistic portrait of this tragically young life, moments that elicited significant shifts and discoveries in Shiki's work. The push and pull of a profoundly changing society is vividly felt in Keene's narrative, which also includes sharp observations of other recognizable characters, such as the famous novelist and critic Natsume Soseki. In addition, Keene reflects on his own personal relationship with Shiki's work, further developing the nuanced, deeply felt dimensions of its power.

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