2013年8月31日 星期六

0901 2013 日雨

9月1日了


上網癮/關東大地震殺韓人等問題

中午Keys等掉在64號沙發上回去找yy....
提議會討論惡之華Preface


 Yo-Yo Ma 很久沒到台灣了.
上次在自由廣場聽他諒解台灣的處境. 用西班牙的巴塞隆納之獨立鼓舞我們.
這幾年"馬友友"的說法對他是大侮辱
 Yo-Yo Ma是大師希望他能寫回憶錄.
YouTube應該有他上百的片. 今天用 此兩大師之小品:Yo-Yo Ma & Bobby McFerrin
  http://www.youtube.com/watch?v=GczSTQ2nv94

翻江燦騰處女論文集序水月序 引發寫胡適《廬山遊記》1928) 摘記「,。」、.
 YY蒜雞湯




土砂崩れの瞬間カメラに 台湾
9月1日 15時52分

土砂崩れの瞬間カメラに 台湾
台湾で、強い雨によって道路沿いの斜面が崩れ、転がり落ちてきた巨大な岩があわや車を押し潰しそうになった様子が、ビデオカメラに捉えられました。
この映像は、先月31日に台湾北部の基隆市で、車の運転席に取り付けられたビデオカメラが撮影したものです。
強い雨が降るなか、道路沿いの斜面が突然崩れ、前を走っていた車に土砂や石が降りかかりました。
続いて、大きさが車の2倍以上はある巨大な岩が転がり落ちてきて、あわや前方の車を押し潰しそうになりましたが、間一髪のところで岩は止まりました。
前方の車には2人が乗っていましたが、映像を撮影した男性によりますと、2人とも軽いけがで済んだということです。
台湾ではここ数日、熱帯低気圧の影響で雨が降り続いていて、台湾の気象台は、2日まで激しい雨が各地で降り続く可能性が高いとして、注意を呼びかけています。

Parerga und Paralipomena by Arthur Schopenhauer ( 1788 – 1860) /The art of literature 文學的藝術


T. B. Saunders( translate) The Art of Literature
在Open Library 它有14版本

Cover of: The art of literature by Arthur Schopenhauer

The art of literature
a series of essays
selected and tr. with a preface by T.B. Saunders.

Published 1897 by Sonnenschein in London .

 http://openlibrary.org/books/OL7216394M/The_art_of_literature


它的掃描雖然 有點問題 不過很方便我們用諸如"Goethe"等字眼查索


Goethe has a well-known saying, which offends many people : It 
is only knaves who are modest ! Nur die Lumpen 
sind bescheiden! but it has its prototype in Cervantes, 
who includes in his Journey up Parnassus certain 
rules of conduct for poets, and amongst them the 
following : Everyone whose verse shows him to be a 
poet should have a high opinion of himself, relying on 
the proverb that he is a knave who thinks himself one. 
And Shakespeare, in many of his Sonnets, which 
gave him the only opportunity he had of speaking of 
himself, declares, with a confidence equal to his in 
genuousness, that what be writes is immortal. 


1933年人文書店出版陳介白劉共之的譯本/周啟明(起孟)序: 文學的藝術

1976 台北的名遠轉印.

 Arthur Schopenhauer (22 February 1788 – 21 September 1860)


 Parerga und Paralipomena, 1851; English Translation by E. F. J. Payne, Clarendon Press, Oxford, 1974, 2 Volumes:  這本書北京商務有比較全的翻譯本.

胡適日記全集 5: 1928-1929



胡適日記全集, 第 6卷 1930-33

On Dec. 5, 1933, national Prohibition came to an end as Utah became the 36th state to ratify the 21st Amendment to the Constitution, repealing the 18th Amendment.

pp.739-40  1933.12.30 赴燕京大學國文系年會同去者多人如周作人 (周作人年譜一書誤記為北京大學. 內容還有巴金姓劉沈櫻姓陳在北大注冊組工作......與陳援庵先生談學等他似乎不信耶酥會與清代治學方法無關.......結婚16周年請的人應特別注 意

 1933.12.31  留比許渭濱 (熊章)外交人員 海參威總領事現在已找不到更多資料 他說人民生活很可 佩服蘇聯領袖人物的刻苦肯犧牲的精神

 胡適無法讀周推薦的《葉天寥年譜》起頭之駢文....


周作人和《午夢堂集》

2013-01-09 19:35:50

2013年8月30日 星期五

08031 2013 六 rainy



昨天梁先生提醒叔本華引言的上下文.

本周四日語老師來電以前都是班長
台灣官方真幸福 喜歡意淫OECD數據.




9/10本月紐約時報:Seamus Heaney, Irish Poet of Soil and Strife, Dies at 74, 1939-2013/ ‘Journey Into the Wideness of Language’


人生真奇怪我昨天在社群網Facebook看到江燦騰先生的留言. 就請教他才發現他竟然是我廠的同事---當年辦公室就在對面---彼此辦公捉可能相距不到十公尺內

江燦騰人的記憶,是脆弱的,要累積思維的厚度,要不停地反覆參考和整合,否則會浪費很多心血

HC老師 您以前在飛利浦那一單位? 好奇.....
1979-80在竹北廠TEO 怎麼不認識你?

與江老師通信2封. 與Ken Su談他.
blogging

土石流で列車脱線、12人けが…台湾南部 読売新聞
台湾交通部(交通省)によると乗客12人が重軽傷を負った。 列車は約250人 ... 日本の対台湾窓口機関・交流協会台北事務所によると、日本人が負傷したとの情報はない。
 
基隆土石流.....

晚上至8點

The Interpreter (2005)

PG-12  -  Mystery | Thriller  -  15 April 2005 (Taiwan)
6.4
Your rating:
    -/10  
Ratings: 6.4/10 from 69,127 users   Metascore: 62/100
Reviews: 403 user | 229 critic | 41 from Metacritic.com
Political intrigue and deception unfold inside the United Nations, where a US Secret Service agent is assigned to investigate an interpreter who overhears an assassination plot.

Director:

Writers:

(story), (story), 3 more credits »

導演


 晚餐票近750萬元/張

Katharine Weymouth, the working-mother publisher,

Hanching Chung (People 人物) - 2 小時前
Katharine Graham《個人歷史 Personal History 》/《華盛頓郵報》新史... 人物她賣掉了四代相傳的《華盛頓郵報》SHERYL GAY STOLBERG 2013年08月31日 [image: 凱瑟琳·韋茅斯,《華盛頓郵報》第四代出版人。] Matt Roth for The New York Times 凱瑟琳·韋茅斯,《華盛頓郵報》第四代出版人。 - - - - 華盛頓——在華盛頓城一年一度的媒體、政界、好萊塢眾星雲 集的盛典——2012白宮記者晚宴舉辦前夜,凱瑟琳·韋茅斯 (Katharine Weymouth)也舉辦了她自己的華盛頓名流晚宴。當年,她的外祖母、《華盛頓郵報》先驅出版人凱·格雷厄姆(Katharine Graham)曾多次舉辦這類晚宴,也因此聞名。 在韋茅斯寬敞通透、精雕細琢的宅邸里,凱·格雷厄姆的摯友 與後人圍坐在晚宴餐桌前,他們中有前總統克林頓的顧問弗農·喬丹(Vernon Jordan),老布殊在任期間的白宮顧問C·博伊登·格雷(C. Boyden Gray),凱·格雷厄姆的長子、時任華盛頓郵報公司首席執行官唐納德(Donald),凱的女兒、凱瑟琳·韋茅斯的母親拉里·韋茅斯(Lally Weymouth),她也是一位踏遍全球的記者、曼哈頓的社交名媛,因採訪數位... 更多 »

印度最寒冷的夏季:經濟危機

Hanching Chung (棄馬保台 亞洲與美國) - 8 小時前
OPINION | Op-Ed Contributor Why India's Economy Is Stumbling By ARVIND SUBRAMANIAN India's problems have deep and stubborn origins of the country's own making. 8月要結束 該整理一下印度最寒冷的夏季:經濟危機 待補 《經濟危機 催化改革》彭博商業周刊 / 中文版 印度總理辛格(Manmohan Singh)年逾80歲,對他來說,2013年夏天的沮喪是那樣似曾相識。1991年6月,辛格剛擔任印度財政部長,便迎來印度獨立以來最嚴重的經濟危機。該國外匯儲備驟減,僅相當於數周進口額,黃金儲備也被空運到倫敦,作為獲取國際貨幣基金組織(IMF)貸款的抵押品。 不論是全民樂觀情緒,還是辛格的良好聲譽,目前都面臨空前考驗。印度經濟增長率已跌至十年低點,儘管央行加息令投資受到抑制,通脤率仍居高不下。國家財政赤字與經常帳赤字也告危。近幾周,印度盧比崩跌,自年初以來,兌美元貶值超17%,是今年亞洲表現最差的貨幣。 外界普遍認為印度正面臨1991年以來最嚴重的危機。不過,雖然目前形勢看似一片慘淡,未來的印度也大有可能擺脫困境並變得更強大。事實上,我們可以說,眼下的掙扎或許正是印度振興經濟所需的... 更多 »

The adidas method

愛迪達成功之道:看穿顧客在想什麼http://www.cw.com.tw/article/article.action?id=5051794 2013-08-30 Web only 作者:經濟學人 [image: 愛迪達成功之道:看穿顧客在想什麼] 圖片來源:陳德信10年前,運動服飾製造商不停地為產品增加功能和未來主義設計,它們相信,消費者會依照技術規格來購買訓練鞋。但是,愛迪達 (adidas)現任運動服飾創意總監卡恩斯(James Carnes),在2004年奧斯陸會議中碰上了丹麥的顧問拉斯繆森(Mikkel Rasmussen);拉斯繆森挑戰了這個看法,他說,一支手機可能有72個功能,但那比大部分人想要、或是會用的功能多了50個。 那讓卡恩斯非常好奇,也讓他決定與拉斯繆森的小顧問公司ReD展開長達10年的合作。在那10年之中,愛迪達的銷售和股價皆穩定成 長。全球龍頭耐吉(Nike)的行銷是以運動明星代言為主;彪馬(Puma)的行銷佔營收比例更高,並跨足非運動休閒服飾領域,銷售亦有所成長,但仍遠遠 落後主要對手耐吉和愛迪達。愛迪達的行銷較為低調,預算佔營收比例也比前兩間公司低,雖有三分之一的銷售出自「生活類」產品,不過運動服飾仍舊是愛迪達的 核心業務。 愛迪達必須從基本面著手,才能在這個毛利微薄的領域中成功,例如,愛迪達得遵循競爭對手的做法,將生產外包以... 更多 »

BBC的Design Icons 系列文章:Pompidou Centre: A radical with enduring appeal




At the head of the table sat Ms. Weymouth, a Harvard- and Stanford-educated lawyer, single mother of three and, at 47, a fourth-generation publisher of The Post. As her guests chatted, she gently intervened, steering the conversation, salon-style, toward the economy and presidential politics. When it was over, Mrs. Weymouth, not an easy one to please, showered her daughter with praise.
“It was a big moment,” said Molly Elkin, Ms. Weymouth’s best friend and one of the dinner party guests. “It was sort of like: ‘I’ve passed the baton, kid. You’ve learned well, you did a good job.’ ”
It was the kind of scene, rife with unspoken family drama, that captivates longtime Washingtonians, who have scrutinized and mythologized the Grahams for decades, much as the British do their royalty. Now, in an exceedingly difficult climate for newspapers, Ms. Weymouth is charged with saving the crown jewels. In a city and a clan filled with expectations for her, that is no easy task.
She is carving her path in a capital, and an industry, vastly changed from the one her grandmother inhabited when big-city newspapers were flush with advertising; The Post helped bring down a president; and for nearly four decades, Mrs. Graham ruled social Washington, feting presidents and prime ministers in her elegant Georgetown manse, dining at the White House with kings and queens.
“There is never going to be another Kay, never in Washington, because the times are different,” said Sally Quinn, the columnist and the wife of Ben Bradlee, the editor whose partnership with Mrs. Graham was chronicled in “All The President’s Men.” “People just don’t entertain that way,” Ms. Quinn said. “People have kids, they work late. That is not what Katharine wants to do.”
Ms. Weymouth is many things: a working mother and enthusiastic cook; a fearless skier (“She has not met a slope she won’t take,” says Liz Spayd, a former managing editor of The Post); a fitness buff (“She can crunch till the cows come home,” said Pari Bradlee, a yoga instructor and daughter-in-law to Ben) and, for a while, one of the most sought-after dates in town. (After seeing a local architect, Ms. Weymouth has recently reunited with an old flame, Marty Moe, a former AOL executive.)
She does not take her famous name too seriously, and she likes to have fun. For years, she and Ms. Elkin, a labor lawyer, held a backyard Summer White Party, a spoof on the lavish Black and White Ball hosted in 1966 by Truman Capote to honor Mrs. Graham. Once, at a club in Aspen, Colo., Ms. Weymouth spied Yankees third baseman Alex Rodriguez watching her dance.
“We are the only people in this club who don’t want anything from you,” she announced. “Come dance with us.” He said he would rather watch.
To her 2012 “grown-up” dinner, she wore a $35 scoop-neck sleeveless sundress from J. C. Penney, a playful nod to an important Post advertiser whose chief executive at the time, Ron Johnson, was a guest. (She bought J. C. Penney dresses for Ms. Elkin, who wore hers, and Mrs. Weymouth, who wouldn’t be caught dead in one.)
Ms. Weymouth’s penchant for showing off her athletic figure — she arrived for a photo shoot in a crisp white sleeveless sheath and four-inch lime green Jimmy Choos — provokes titters in the newsroom. Then again, she works hard for it; Ms. Elkin said the two spend Sunday mornings doing free weights and “boy push-ups” with a personal trainer.
“We smack-talk each other the entire time,” Ms. Elkin said, “just like we did when we were 20 years old.”
Quick-witted and no-nonsense, Ms. Weymouth is more like her steely grandmother than her famously demanding and mercurial mother. But since becoming publisher in February 2008, she has had a rocky ride; she has already hired her second editor, and critics lament that she is presiding over a newspaper in retreat.
Ad revenue is declining and average daily circulation was 474,767 in March, down from 673,180 when Ms. Weymouth took over, the Alliance for Audited Media said.
Lacking the magic bullet, she is emphasizing a local mission — she has reduced staff, shut bureaus in New York, Los Angeles and Chicago and eliminated the well-regarded Book World section on Sunday — to meet demands by her uncle, and The Post board, that the newspaper turn a profit. (It is, she said, although on Friday the parent company reported a 14 percent drop in second-quarter earnings, compared to a year ago.)
Recently, she upset sentimentalists by putting The Post’s 15th Street headquarters up for sale. She says her grandmother always hated the boxy building.
But while Mrs. Graham, who took over the company in 1963 after her husband’s suicide (and later became publisher and chief executive), battled lifelong insecurities as she transformed herself from a 1950s housewife to the first woman to run a Fortune 500 company (as well as the author of a Pulitzer Prize-winning memoir), not so Ms. Weymouth.
“Katharine is far more comfortable in her own skin than Kay ever was,” said Robert G. Kaiser, a Post associate editor who has worked there for 50 years. Still, he said: “She has a burden. Your biggest anxiety, as I know from personal experience with Kay and Don, is: ‘Am I going to screw this up? Am I the one who is going to be remembered as the goof-off who couldn’t keep it together?’ ”
On a steamy summer Friday in July, Ms. Weymouth was curled up on her living room couch, not in fashionable Georgetown but in the practically suburban northwest Washington neighborhood of Chevy Chase, where a Post honor box and fleet of scooters are parked on her front porch. Her golden retriever, Dakota, scampered about, a slobbery tennis ball in its mouth.
If her social life is centered anywhere, it is here, in the house she shares with her children Madeleine, 13, Beckett, 11, and Bridget, 9; an assemblage of pets (three dogs, a guinea pig, a rabbit, two gerbils and a hamster); and a grandmotherly housekeeper, Olinda, whom she “sort of inherited” from Mrs. Graham. It is the scene of countless family dinners with her tight circle of friends, including Ms. Elkin, whom she met at Oxford.
Ms. Weymouth is proud of her culinary skills, another break from family tradition. “My mother doesn’t cook, my grandmother didn’t cook,” she said. “Her kids were raised by servants. They would joke about Sunday night dinner. It was the only night she would cook, and apparently it was just horrendous, like scrambled eggs and Campbell’s soup.”
On this afternoon, she had left work early to prepare yellow gazpacho, swordfish kebabs with bacon and cherry tomatoes, and strawberry shortcake for 10 friends and colleagues, including the Post foreign editor, who had returned from Afghanistan. Her daughter Bridget wandered in nibbling a piece of bacon.
Ms. Weymouth frowned (“I need that for dinner!” she said), but it was a mock frown, a precious moment of normalcy. In April 2011, when Bridget was just shy of her seventh birthday, she fell off a pony, mangling her left arm. She spent 28 days undergoing a dozen operations at Children’s Hospital here (and later two more in New York). Ms. Weymouth moved in, conducting business meetings from the child’s bedside.
“She was dealing with doctors and surgeons and a child who was in a lot of pain,” said Kevin Sullivan, a Post reporter and close friend. “But it wasn’t like she flushed her BlackBerry down the toilet. It’s not one of those jobs where you can say, ‘I’ll be gone a couple of weeks.’ ”
Moving to Washington to join the family business, Ms. Weymouth said, was never in her “grand plan.” Dowdy D.C. seems a world away from her childhood in Manhattan, where she attended the all-girls Brearley School and danced the “Nutcracker” while studying, quite seriously, with the School of American Ballet.
Her father, Yann Weymouth, a noted architect (and brother of bassist Tina Weymouth, a founder of the Talking Heads) and mother divorced when Ms. Weymouth and her younger sister Pamela were little. The girls were raised in their mother’s orbit on the Upper East Side, in the swirl of New York’s literary circles.
It was a childhood spent going out to restaurants (“Grandma disapproved,” Ms. Weymouth said) and drinking Cokes at Elaine’s. They tagged along on Lally’s reporting trips — “We got to have dinner at the Club d’Alep and meet some of the Syrian aristocracy” — discussed fashion with the Vogue editor Diana Vreeland and politics with Alexander Cockburn, the left-wing British journalist and, for a time, Mrs. Weymouth’s live-in boyfriend.
“It was rarefied,” said Diane Paulus, the Broadway director (“Hair,” “Pippin”), a close friend since the third grade. “We were like 8- or 9- or 10-years-old, and there were big grown-up dinner parties and each child would give toasts. Lally was very social, very fashionable, very chic and very vocal in her politics. There were always political discussions, and she expected the children to keep up.”
But at Harvard, and later Oxford, where the future publisher briefly pursued a master’s degree in literature — “My mother told me I had to go to graduate school,” Ms. Weymouth explained — and Stanford Law, she rarely let on who she was.
At Oxford, she drank beer, rowed crew and went through a black leather phase — “She scared me, she was so cool,” Ms. Elkin said — which turned almost comical on a trip to Israel. During a stopover in Paris to see Mr. Weymouth, who was helping I. M. Pei design the glass pyramid at the Louvre, Ms. Weymouth produced a lengthy itinerary, drafted by her mother, including lunch at the Knesset with Benjamin Netanyahu and dinner at the apartment of Yitzhak and Leah Rabin.
“So the security people are looking at her, with her black eyeliner and her leather jacket and these black earrings, and they’re like, ‘Who are you?’ ” Ms. Elkin said. “And I’m looking at her and saying: ‘Yeah, who are you? And why did you only tell me to bring one dress?’ ”
Ms. Weymouth loved the West Coast and hoped to stay there after law school. Her mother had other ideas. “I thought it was a nice place for a weekend,” Mrs. Weymouth said in an interview, “not for a life.”
Instead, she took a job as a litigator with Williams & Connolly, The Post’s law firm. Nicole Chapman, her Harvard roommate, said she wanted to “establish herself as Katharine Weymouth,” and eventually have children, becoming a “more there mother” than her own had been.
To herald the arrival of her oldest grandchild, Mrs. Graham invited Washington’s young up-and-comers to a dinner party. George Stephanopoulos, then with the Clinton administration, was there. Mr. Jordan sent his niece, Carolyn Niles, now a close Weymouth friend. “She really took the time to establish social connections for Katharine,” Ms. Niles said.
If Kay Graham saw her namesake as her heir apparent, she did not say, though it was apparent they were extremely close. Ann Calfas, a Stanford classmate of Ms. Weymouth, recalls the grandmother’s simple delight in driving them to the wedding of a friend. “She was like, ‘Girls, hop in!’ ”
Ms. Weymouth has her own fond memories of Friday night “dates” when Mrs. Graham needed a party escort, and of quiet dinners in the library of the big house on R Street in Georgetown. “We would eat on the TV trays and gossip,” she said, “and I would tell her about my love life and she’d crack up.”
In 1996, The Post put out a call to Williams & Connolly for temporary legal help. Ms. Weymouth put her hand up, and the job became permanent, leading to stints in the online operation (then a distinct subsidiary) and ultimately as vice president for advertising.
Inside the newsroom, one rap on Ms. Weymouth is that unlike her uncle, she has never been a reporter. Over the years, she said, they talked about it, but she didn’t feel qualified. “I just felt like it would be too weird,” she said.
If there is one decision Ms. Weymouth has made that has mystified people who know her well, it was her July 1998 marriage to Richard Scully, a Washington lawyer. The wedding at her mother’s Southampton home, with 470 A-list guests, was a typical Lally extravaganza. Not only did Oscar de la Renta design the dress, a friend said, he was there to zip it up.
The divorce in 2005 was messy. Court records show they fought over their $70,000 country club membership (Mr. Scully, a golfer, testified that Ms. Weymouth “doesn’t really value it”) and their German shepherd, Maxine, among other things. The court awarded both to Ms. Weymouth.
Last year, Mr. Scully was accused of assaulting his girlfriend. The charges were dropped, but Ms. Weymouth went back to court, asserting that he had stalked her through texts and e-mail and engaged in “angry and explosive outbursts” in front of their children. Mr. Scully’s lawyer, Mark E. Schamel, called the allegations “false” and attributed Ms. Weymouth’s assertions to an “opportunistic pleading” filed by her divorce lawyer.
Ms. Weymouth and her tight-knit circle prefer not to discuss it. “The less you say about him, the better,” Lally Weymouth said.
Friends say Ms. Weymouth has become the ultimate hands-on mother (albeit one with “one-and-a-half” nannies, as she describes it), waking up early to make the children a hot breakfast and driving them to school every morning. In a city of nightly parties, she picks and chooses. She is a regular at galas for the Alvin Ailey dance company and the PEN/Faulkner Foundation, because Ms. Elkin is on the board.
But at this year’s White House Correspondents’ Dinner, Ms. Weymouth was nowhere to be seen. She was home hosting a sleepover; it was Bridget’s ninth birthday.
Not long after her grandmother died in 2001, Ms. Weymouth had a dream. In it, they strolled the beach on Martha’s Vineyard, where Mrs. Graham owned a home.
“In my dream, I knew she was dead,” Ms. Weymouth said. “But she said: ‘I’m sorry. I’m sorry I have to leave you.’ ”
Ms. Weymouth sees no larger meaning in this — “I don’t believe in hoo-ha,” she said — though as she charts the future of her family’s business, she is also immersed in the past. Pictures of her grandmother line the walls of her office, where Mrs. Graham’s memoir, tagged with sticky notes for Ms. Weymouth’s speeches, is on a shelf. For her first day on the job in February 2008, she wore Mrs. Graham’s pearls “for good luck.”
Her ascension generated the predictable buzz in Washington. People speculated about whether there was competition between Ms. Weymouth and her mother, who, the theory goes, remains miffed that her kid brother inherited the throne. (Not true, both women say.)
Ms. Weymouth took the helm just as the bottom was about to fall out of the economy. The newspaper had already gone through several newsroom buyouts, and she told her uncle she would not take the job unless she could integrate the digital and print operations. “Don was hellbent against it, and probably still is,” she said.
Deciding a new editor was needed, she picked Marcus Brauchli, from The Wall Street Journal, the first outsider to edit The Post in four decades. Magazines gushed that she had found her Ben Bradlee, but the relationship soured after news broke that they planned to offer lobbyists the chance to underwrite “intimate and exclusive” dinners, for up to $250,000, with Obama officials and Post journalists in Ms. Weymouth’s home, a seemingly crass version of Kay Graham’s salons.
Ms. Weymouth apologized, but the negative publicity over “Salon-Gate” was brutal. Ms. Niles said it was the first time she had seen her ordinarily unflappable friend cry over work.
Within the Graham family, there is great sensitivity to any suggestion of nepotism. Don Graham, 68, praises his niece as “passionate, hardworking, utterly decent” and also qualified. As to whether she will inherit his job, he ducks the question: “I’m not expecting her to go anyplace.”
One hint, Post tea-leaf readers say, can be found in the company garage. For years Kay Graham drove a car with the low-numbered District license plate No. 149, which once belonged to her father, Eugene Meyer, who bought The Post at a bankruptcy sale in 1933. Now it is on Ms. Weymouth’s 1991 BMW convertible.
In the meantime, things have been looking up. In January, Ms. Weymouth replaced Mr. Brauchli with Martin Baron, a no-nonsense newsman from The Boston Globe (and, previously, The New York Times), who has won praise for sharpening coverage and boosting morale. Reporters at The Post who routinely question whether their publisher “gets what we do,” now wonder if maybe, just maybe, she has found her Ben Bradlee after all.
“She made a brilliant choice,” Ms. Quinn said, “and it’s working.”
Not everyone is so effusive. The Post recently began charging for online access, but the climate for newspapers in general, and The Post in particular, remains tough. Mr. Baron called Ms. Weymouth “a realist,” who “still wants us to do really great journalism,” albeit “within the reality of our economic circumstances.” But he could not rule out further cuts.
The question, inside and outside the newspaper, is whether Ms. Weymouth can ever be the great and beloved publisher her grandmother was. “Certainly the genes are there,” said John Morton, a newspaper industry analyst. “It’s the judgment that has yet to be proved.”
Others seem to have written her off. The Guardian columnist Michael Wolff recently criticized Ms. Weymouth, declaring her “a disaster in a job for which she had, other than her lineage, no qualifications.”
Ms. Weymouth, mindful of her past yet unsentimental about it, seems unconcerned. Her mother “tells me she is proud of me,” she said, and “if I’m not doing a good job, as much as Don loves me, he will fire me.” Even her grandmother, she said, grew into greatness, making mistakes along the way.
“I don’t feel like my job is to be beloved,” said Ms. Weymouth, the woman who might be known as the working-mother publisher, with her children at play and her dogs at her feet. “I certainly hope to be a great publisher, and if people want to love me, too, that’s even better.”


江燦騰 我是大名人,全台的飛利浦員工,大多知道我。因j常在刊物上發表文章。
你在的時候,我都上早班,晚上去臺北讀夜大。

HC真不可思議竹北廠有你這種高人而我不知道. (鐵城  財務)經理經常過來嘲笑我們"這一代"......"天下文化出版你的"傳記"我也忘記買.現在應該買不到了. 一定比羅(益強 總裁)先生的還好玩

江燦騰 羅先生認識我,也替我的傳記寫推薦。



http://hcpeople.blogspot.tw/2013/07/blog-post.html
給他mail.



 



Design Icons

Pompidou Centre: A radical with enduring appeal


HIDE CAPTION
Competition time
In 1969, Richard Rogers, a young British architect, was persuaded to enter a competition to design the Pompidou Centre by his friends Renzo Piano and Ted Happold. (Photo: Corbis)
The Pompidou Centre was panned by the critics when it opened in 1977. But its colourful exuberance has ensured its lasting popular appeal, writes Jonathan Glancey.




“The funny thing looking back is that, to begin with, I hadn’t been at all keen on the project”, says Richard Rogers of the Parisian building that made him world famous. The Pompidou Centre – a still shocking, if much admired hi-tech cultural centre in the heart of Paris – was, at the time an international competition was held for its design in 1969, a symbol of everything the 36-year-old left-wing architect stood against.
What was known then as the Centre Beaubourg was to be a state monument, a centralised museum proposed by a new, right-wing French president, Georges Pompidou, the very man who, as prime minister under President de Gaulle, had put a end to the student demonstrations and riots of the previous year. Many in France believed these to be the opening shots in a new French Revolution that would bring down General de Gaulle, his government and the state itself, together with proposals for costly national monuments.
After much intellectual arm-wrestling, Rogers was persuaded by colleagues and associates – principally Ted Happold, a structural engineer, and Renzo Piano, a lively Genoese architect raised in a family of builders – to have a shot at the Parisian competition.
Even then, the team of young long-haired, tie-dyed architects and engineers nearly missed the last post with their package of drawings, one of 681 entries in the competition. A month later, Rogers’ phone rang. It was Piano. “Vecchio” he said, (Piano has always called Rogers, who is four years older, “old man”), “are you sitting down? We’ve won the Pompidou . . .”
It was hard to believe. The Piano and Rogers’ design looked like no other museum or cultural centre. With exposed and brightly coloured ductwork and escalators climbing, zigzag style in transparent tubes across its challenging façade, the building was planned as “a cross between the British Museum and Times Square.” It was as hip a design for a public building as could be imagined, a cultural centre for the iconoclastic new worlds of Pierre Boulez in music, Andy Warhol in art and Jean-Luc Godard on screen.
Are friends electric?
The first sight of the design team did little to sway establishment fears in France that they had been landed with the architectural equivalent of Electric Ladyland by the Jimi Hendrix Experience.
“Renzo says we were the ‘bad boys’ of architecture”, says Rogers. “When President Pompidou looked at the drawings, all he said was “Ça va faire crier” [This is going to make a noise]; but, we moved to Paris for five years, it got built on time and within budget, and it was a big success.”
President Pompidou had been remarkably gracious to these young radicals. As for popularity, the cultural centre that now bears his name entertained six million visitors in its first year – making it more popular than the Eiffel Tower.
Because it was so avant-garde a design, it was a challenge to build, especially so when the budget was cut in half. Rogers and Piano relied heavily on the ingenuity of Peter Rice, a brilliant young Irish structural engineer, who had only recently solved the problem of how to build the wild, sail-like roofs of the Sydney Opera House.
Beam me up
“Peter transformed the competition entry for Pompidou from a design that was in some ways too mechanistic into one that was humanistic”, says Rogers. “He softened the whole look of the building through the way he reconfigured the structure. There’s a lot of handcraft in the building, too, which might surprise a lot of people, and that’s one of Peter’s great contributions. The cast steel ‘gerberettes’ – or special beams – that allowed us to have a deep, free floor space by carrying the weight of the floors to the outside of the building brought light and grace to the final structure; they were fettled by hand.”
Rice was thrilled when he came across an old Parisian lady stroking the cast steel beams of the building – telling him how lovely the texture was. “Before working with Peter, we existed in a world of I-beams and the kind of conventional steelwork that would have made the walls of Pompidou look heavy; we were looking for transparency, the idea of a cultural centre that was truly open to everyone with nothing to hide from the public” he said
The Pompidou Centre opened in 1977. By and large, critics panned it. It was an “oil refinery” of a building, shocking, provocative and insensitive to the city streets around it. And, yet, it has become one of the key buildings of the second half of the 20thCentury, and hugely popular for its location, events and the enduring appeal of its extrovert and adaptable design, a colourful climbing-frame of a building extending an open invitation to all ages and generations.
If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.

2013年8月29日 星期四

0830 2013 五



昨晚64號  11點半眼睛幾乎睜不開. 消夜.
約6時起. NHK還在播福島有的父親在海邊挖兒女...... 
 看CNN轉播的英國下院辯論會
  David Cameron loses Commons vote on Syria action下院辯論過程足為世界國會楷模
紐約時報 Prime Minister David Cameron said that Britain would not participate militarily in any strike against Syria.
After the British Parliament voted against the principle of military action, Prime Minister David Cameron said Britain would not participate in any strike on Syria.  


President Obama is ready to pursue a limited military strike even with a rejection of such action by Britain’s Parliament, officials said.





假使你看見一個有智慧的人你要及早前去拜訪,你的腳要磨光他的門限。
----德訓篇 Ecclesiasticus   http://www.catholic.org.tw/bible/
*****
*****
94到台北。我們台北見。我没帯電脳連絡是台湾の携帯番号…….”
我回信給川瀨先生: 台北見. 歡迎您"回國".
*****
Dear HC,
  根據一本我不知道年代、作者的古書《埔里社記略》,描述「結」
是一種宜蘭(蛤瑪蘭)特有的「武裝開墾」方式,由幾十佃戶成為「小結」,「小結首」統理許多事務,再由數個「小結」組成一個「大結」,五結、六結都是指宜蘭(蛤瑪蘭)地區的第五個「結」,前面加個「金」字,只是一般商號求吉利的方式。例如我叔父開的兩家布店,叫「金和發」,北埔的墾號叫「金廣福」。 關於「結首制」,請參考:http://taiwanpedia.culture.tw/web/content?ID=5047
******
每天日記都是頭尾認真登錄。有時候朋友介紹影片,得以看YouTube中的BBC,那更是天賜的充時。有時想他們活到三四十幾歲而已,而自己虛長多年卻不過爾爾。昨天晚上看CNN轉播英國下院的辯論,雖然眼睛快睜不開,還是看他們的表演。倫敦的與濟南的,真是兩個世界的政治。他們還有許多制度創新: 與游兄聊英國小說找出: Author John Fowles's Dorset house to b...
http://www.nowness.com/
最近送出的最好的禮物:大概是Everyman Anthology of Poetry for Children……我覺得這些詩歌是他們這個年紀的孩子應該讀的。Everyman's Library 和 Everyman Classics /Everyman A...



博華.
Dorset 是英國之一county  地圖等如下.
我的文章要說的是John Fowles1926-2005寫法國中尉的女人等   他在1968年只花2萬pounds 買一二百多年的莊園Belmont House  然後在該地老死----該地各位在電影都看過.......他十幾年前就想將它捐給EAU的創作班. 大學不敢要.  今年透過英國公益Landmark 基金會買下   EAU大學同意.....英國Lyme Regis 地方及小說家 John Fowles的地方簡史和其二百多年 Belmont House
Doeset House Publishing 1981年才創業很成功希望貴出版社同樣興盛. 高品質


2013/8/30 林博華 <tristano_lin@hmg.com.tw>
Dear Hc,

您文章中引到的Dorset house
這很有趣,
美國有家出版社叫Dorset House,專門出版如Tom DeMarcoPeopleware等等軟工、專案管理書籍。
為什麼這出版社會取名Dorset House?不知道

 送忠樸及戴明之友1999:「茲疑不疑」/ Life In A Love《有終生的愛》周策縱譯

送忠樸及戴明之友:「茲疑不疑」

       1998年 10月10日,出永和,秋高氣爽、走經台大校園,與一些樹打招呼。出新生南路側門。有一少年騎一新機車,同伴品摸其新造型、設計,極盡疼愛之能事,始知我已不年青。
        進辦公室,寫點東西,從網路上知道到你的網站周年慶,並有「承諾的樂趣」。由於台大內把「五四」戲寫成「舞肆」,想起周策縱先生(周先生的《五四連動史》極有名,其實才富五車)的《棄園文粹》中,有篇(第九九則)談王靜安的「頻摸索,且攀躋,千門萬戶是耶非?人問總是堪疑處,唯有茲疑不可疑。」周先生說此《鷓鴣天》甚莊嚴深遠。「此種無盡追求之意境,比靜安自己新云古今之成大事業大學問者必須之三種境界,皆更高深。」
        周先生並以白郎寧(Robert Browing)《有終生的愛》(Love in a Life)──詩和之,轉錄之作為我們這些中文網站開拓者的賀禮:   

                               
一間房又一間房,
我找遍了這院子,
我們同住在這裡。
心啊,一點也別怕,因為,心,你會找到她,
下次,會找到她本人!──不是她所留下來的
簾內的煩惱,床上的芳香!
那壁上的花環,經她拂拭後又開花了:
那兒明鏡對著她翠翹的搖顫也閃光了。

                                       
但是日子不斷消磨,
還是一條門又一條門?
我永遠摸索著新的命運──
從廂房到正廳,找遍了這大廈。
老是這麼個緣法!我進來時她偏出去了。
我尋了一整天,──別管吧!
可是你知道,天快黑了,──還有那麼多的房間要探索,
那麼多的私屋要尋找,那麼多的幽室要瀆求!

Love in a Life

By Robert Browning
I
Room after room,
I hunt the house through
We inhabit together.
Heart, fear nothing, for, heart, thou shalt find her—
Next time, herself!—not the trouble behind her
Left in the curtain, the couch's perfume!
As she brushed it, the cornice-wreath blossomed anew:
Yon looking-glass gleamed at the wave of her feather.

II
Yet the day wears,
And door succeeds door;
I try the fresh fortune—
Range the wide house from the wing to the centre.
Still the same chance! she goes out as I enter.
Spend my whole day in the quest,—who cares?
But 'tis twilight, you see,—with such suites to explore,
Such closets to search, such alcoves to importune!

2013年8月28日 星期三

0829 2013 四 颱風尾掠過? Franz Schubert - The Greatest Love & The Greatest Sorrow


約4點半起: 睡前重看某本1990年代的讀者文摘  介紹的女亞洲"企業家"---經20年的歷史考驗不知如何? 4:49 小雨....
臺大歷史系開學電子報無可觀.

高家: 高信鄭,高信疆 ,高信譚,高信鄧



恭喜東海大學在YouTube 已有101影音 ----野草的希望----
第一個人看: 夏日盛開的文學花 東海大學文學院童元方院長與Hit FM周玉蔻女士
這片子原是聲音為主現在改成影象.聲音效果很不理想.我希望101片之後開始重視點"品質".  譬如說每一片要有些說明或補充. 童院長是新人. 還滿口"博雅" ......
1160-1230 中午菜全處理完  嘉義台南高雄等等竟然豪雨成災
 

 近日有一篇墨西哥市數十年與空氣污染奮戰有成的報導.......
書面知識散放在各處.  昨天是我的墨西哥日. 還買本其藝術指引的書(A Guide to Mexican Art : From Its Beginnings to th...芝加哥大學出版社). 今天午後想再續昨天之緣份. 先拿取Oxford Companion to Art 墨西哥藝術只記Modern部份. 而且此條跟Oxford Companion to Twentieth Century Art 的類似  ---因為編者同一人  此文一稿兩用......
反倒是我平常不怎麼參考的 大美百科  它有近40頁總體的墨西哥相關資訊的介紹



人的思緒多聯想。今天4點多即起。Facebook Yen女士指示BBC拍的高畫質「[HD] Franz Schubert - The Greatest Love & The Greatest Sorrow 」, 約6:15 看完它: 首尾都以貝多芬結束,臨終語: 「此非我病床也因為貝多芬不在此。」
我照例去《紐約時報》等逛逛,平常都用Firefox 瀏覽器,《紐約時報》還是上不去,不過我用它的鏡像網站做一些【英文人行道】的例子。後來我看到WSJ一篇文章,才了解如果我採用Google 公司的Chrome,因它可能很早就清理完昨天駭客弄亂的網址,所以上得去。果然如此。
我今年在二手書店買到一本Charles Baudelaire 的法英對照《惡之華》,我認為英文翻譯本很不錯,所以希望每天看一二首。今天讀他的《敵人》,他三十來歲在詩中就說已步入中年心智之秋,時間吸他之血而茁壯,最重要的是他希望自己是園丁,希望重拾工具,但願土能吸收神秘的氣而恢復生機…….。我突然想起我初一住宿在洪炎森老師他家,他有一大片的果園。於是取出45年前的《市三中第九屆畢業同學錄》,開始寫些對師長的回憶錄……







約6:15 看完: 首尾以貝多芬結束 臨終語此非我床因為貝多芬不在此.
[HD] Franz Schubert - The Greatest Love & The Greatest Sorrow 
 http://www.youtube.com/watch?v=HHwkmiKlQsA


Published on Sep 5, 2012
Christopher Nupen's documentary uses Schubert's words and music to help us feel closer to what the composer himself was trying to say. The film begins with the funeral of Beethoven, at which Schubert was a torch bearer, and the story is told almost entirely in music that Schubert wrote between then and his death.

It includes quotations from his letters and diaries and the words that he chose to set in some of his songs. The title, The Greatest Love and the Greatest Sorrow, is taken from a dream which Schubert wrote down on July 3rd 1822 and which is quoted in full in the film.
 Catherine Yen‎‏
分享自我兒子 Pohan Wu 。這是一部紀錄片,BBC製作,描寫舒伯特的最大的愛與最大的悲傷。 舒伯特的一生極度貧困淒涼,但其掩不住的才華在本片中讓你深深感動、低迴不已。 因為片長, 朋友可分享再慢慢看。 BBC製作必屬佳作。

剛開始的舒伯特降E大調彌賽亞非常動人!敬請聆賞!



與游兄聊英國小說找出: Author John Fowles's Dorset house to become a centre for young writers

游常山

E. M. Foster乍看好讀,其實蠻「陳映真」的,對英國固化的階級,有很深的批判。我反覆讀了幾次【霍華大宅】(Howard’s End),還是進不去英國階級愛恨情仇的世界。

跨文化的閱讀,沒有那麼容易,讀懂英文字面,讀不懂背後一整套的社會文化架構的totality

E. M. Foster是英國當代最優秀的小說家,我要感謝英語世界的電影製片體制,從近三十年前的【印度之旅】【窗外有藍天】【此情可問天】(原著就是Howard’s End)…否則我們光是掌握長篇故事的「梗」就很大力氣

詮釋文本背後的社會真實?








這經驗很有意思.多少表示電影比較容易懂.通常是原著給讀者更多的想像空間.建議游兄試試" 法國中蔚的女人" 電影略去很多的"社會-文化"層面.......

  • 游常山 有,原著小說和電影,都看了,法國中尉,更艱澀的英文。
    Hanching Chung 哈哈 果真如此? 下會找到筆記本或可借你. 作者的房產很大--Jane Austen 的小說描述過的地方---身後願捐給University of East Anglia - UEA當"寫作中心--- 可憐的英國大學. 評估之後放棄.因為無力維持之. 我很關心後來如何了.......

  • http://www.theguardian.com/books/2013/may/07/john-fowles-house-landmark-trust-restoration

    Author John Fowles's Dorset house to become a centre for young writers

    Landmark Trust sets to work on historic seaside building, home of the author of The French Lieutenant's Woman until his death
    Writer John Fowles
    John Fowles poses at his home in Lyme Regis, Dorset, in 1985. Photograph: David Levenson/Getty Images
    In 1999, six years before he died, the novelist John Fowles wrote that despite its beauty, acres of garden, ravishing views and historic interest – not only as his home but that of the pioneering Georgian businesswoman, Eleanor Coade he – was failing to give away his beloved house in Lyme Regis, Dorset.
    He dreamed the Grade II* listed Belmont House could become a centre "for young writers and artists" who would be as inspired by its beauty and history as he. The main windows of the room where he wrote look straight out to sea, or steeply down to the Cobb where he sent his melancholy heroine, The French Lieutenant's Woman, on her solitary walks. His desk, possibly to give him some defence from the distractions of such a view, was set at right angles to it.
    He had lost count of the institutions he approached, he wrote sadly, including the University of East Anglia, famed for the creative writing course co-founded by his friend Malcolm Bradbury, of which he was an honorary graduate. None felt capable of taking it on.
    One American demanded assurance that the property could never suffer from landslip: since the house is perched halfway up a cliff on the Jurassic Coast, where for centuries fossil hunters have flocked to pry treasures from the rapidly eroding slopes, he could give no such promise.
    Now, though there are many more cracks in walls and terrace, and the garden is even more of a jungle than he affectionately complained of, his wishes may come true.
    The Landmark Trust, which restores historic buildings, has bought Belmont from Fowles's widow Sarah, and is fundraising to restore it not just as a holiday rental like its other properties, but a residential centre for young writers. This time the University of East Anglia, whose graduates include Anne Enright, Kazuo Ishiguro and Ian McEwan, has said yes.
    Discussions are also ongoing with Royal Holloway and other academic institutions.
    The move is an innovation for the Landmark, but one which its new director Anna Keay hopes to build on at other properties.
    "I love the thought of bringing that literary life back into the house, and making the whole place not just a nicely restored old building but a living memorial to Fowles and his work," she said.
    "The history of this house is already so rich and multilayered, it's nice to think of adding another chapter."
    Many of the trust's properties are eccentric, including a pineapple-shaped summer house, a palatial water tower and a pigsty designed as a Greek temple.
    The extraordinary facade of Belmont, a plain Georgian box bristling with applied decoration including sea monsters, urns and a head of Neptune, will fit perfectly into the portfolio.
    The house was a summer home and a sort of three dimensional trade card for the formidable Eleanor Coade, who manufactured classical figures, architectural ornaments and garden statues at Coade's Artificial Stone Manufactory in Lambeth, out of an artificial stone which has proved astonishingly tough.
    The facade is sadly damp-stained and cracked, and inside ceilings, verandah and windows are propped to prevent collapse: the fierce little dolphins, made in the 1780s, are as crisp as if made yesterday.
    Fowles, who was for many years curator of the Lyme Regis museum, was fascinated by Coade – "that very rare thing, both an artist and a successful early woman industrialist".
    The trust has now won planning permission to demolish the shabby stumps of once ornate Victorian wings added by later owners, but will keep a charming observatory added in the 1880s by a Victorian GP, Richard Bangay.
    They plan to restore the surviving mechanism on which the entire roof once rotated and opened, and reinstate a telescope – and, they hope, some visiting astronomers too.
    Another rare survivor, a little stable building, will become an exhibition space telling the story of the house and its owners.
    When Keay first saw the building she felt she had been there before. "Everything about it, the views, the steep scramble down through the garden to the Cobb, even the fact that there really had been a telescope like the one the doctor in the French Lieutenant's Woman uses to spy on women on the beach, seemed so familiar it was almost eerie."
    In fact, although Fowles had obviously already paced every inch of the settings he used in the novel, he bought the house just after he finished the book which became even more famous as the 1981 Harold Pinter-scripted film starring Meryl Streep and Jeremy Irons.
    In his journal for September 7 1968 he recorded both the house and the telegrammed reaction of his publisher, Tom Maschler.
    "I have offered £18,000 for Belmont House. 'The French Lieutenant's Woman is magnificent, no less. Congratulations. Letter follows. Love Tom'. That's a relief."

     游兄過獎.我只讀很少的小說.因為地利之故.我去查John FOWLES 的日記( II) 該屋是2萬成交. "傳主"在隔周的日記中談2種人生財務策略  清教徒過份壓抑的儉對"存在"是傷害......他那幾年1968已經因小說賺進不少錢應該 (再多花5000修理新居---期待的新居......)
    1. Observer review: John Fowles: The Journals Volume 2 edited by ...

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      www.lrb.co.uk/v26/n09/ian-sansom/his-own-peak
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      Trade in Journals Vol II: v. 2 for an Amazon.co.uk gift card of up to £0.25, which you can then spend on millions of items across the site. Trade-in values may vary ...
    7. John Fowles - Wikipedia, the free encyclopedia

      en.wikipedia.org/wiki/John_Fowles
      John Robert Fowles (/faʊls/; 31 March 1926 – 5 November 2005) was an English .... Writings; (2003) The Journals – Volume 1; (2006) The Journals – Volume 2 ...