2024年2月26日 星期一

中產階級拘謹的魅力 The Discreet Charm Of The Bourgeoisie 路易斯·布紐爾 Luis Buñuel

 

中產階級拘謹的魅力 The Discreet Charm Of The Bourgeoisie 路易斯·布紐爾 Luis Buñuel

「妳在哪,母親?我在黑影中尋找妳。」
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2/27 (二)║19:00║二活 703 中產階級拘謹的魅力 The Discreet Charm Of The Bourgeoisie
路易斯·布紐爾 Luis Buñuel
France|1972|101 min.|French|EN&CH subtitles
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一群朋友們受邀在夏內加爾家共進晚餐,但卻被告知晚宴在隔天才舉行,作為替代方案的小酒館餐聚也因為老闆夫婦守靈而作罷。從這天開始一切都亂了套,每當這群優雅的中產階級男女想要坐下來一起吃一頓飯時,總會有事情來攪局,警察、軍隊、游擊隊、鬼故事、夢境……種種荒誕不經的障礙降臨在這場難以順利舉行的晚宴上,越來越多難以理解的事情發生,當夢境與現實的交界逐漸模糊,好好享用他們的餐點似乎變成一件不可能的事……
路易斯·布紐爾(Luis Buñuel, 1900—1983),西班牙著名導演,為西班牙超現實主義巨匠之一。布紐爾出身中產階級天主教家庭,但其創作意識當中卻充斥著對這些傳統結構的批判與顛覆。1929年,布紐爾與當時同為超現實主義藝術家的薩爾瓦多·達利(Salvador Dalí)合作編導短片《安達魯之犬》,在當時引起巨大轟動並在藝術界廣為流傳,布紐爾因此一炮而紅,成為超現實主義的中流砥柱。布紐爾的創作往往挑戰主流意識,舉凡父權、宗教、階級種種規範,皆成為其意欲破除的對象。1930年完成爭議性強烈的指標性作品《黃金年代》之後,因理念不和與達利分道揚鑣,但布紐爾依然堅持其以反理性顛覆既有規則的創作路線,更因為屢屢拍攝出驚世駭俗的作品而觸怒當局,流亡墨西哥多年,並輾轉前往法國,但期間仍創作不輟,陸續拍攝出《自由的幻影》、《青樓怨婦》等等經典傑作。
《中產階級拘謹的魅力》描繪中產階級虛偽表象並揭發其真實面目,繼承其一貫的風格及主題,但調度更為精熟,為其晚年最具代表性的作品之一。

https://en.wikipedia.org/wiki/The_Discreet_Charm_of_the_Bourgeoisie



The Discreet Charm of the Bourgeoisie
Theatrical release poster
FrenchLe Charme discret de la bourgeoisie
Directed byLuis Buñuel
Written by
Produced bySerge Silberman
Starring
CinematographyEdmond Richard
Edited byHélène Plemiannikov
Distributed by20th Century Fox
Release dates
  • 15 September 1972 (France)
  • 13 April 1973 (Italy)
  • 21 April 1973 (Spain)
Running time
101 minutes
Countries
  • France
  • Italy
  • Spain
Languages
  • French
  • Italian
  • Spanish
Budget$800,000
Box office$286,916[1]

The Discreet Charm of the Bourgeoisie (FrenchLe Charme discret de la bourgeoisie) is a 1972 comedy-drama film directed by Luis Buñuel from a screenplay he co-wrote with Jean-Claude Carrière.[2] The narrative concerns a group of bourgeois people attempting—despite continual interruptions—to dine together. The French-language film stars Fernando ReyStéphane AudranJean-Pierre CasselPaul FrankeurDelphine SeyrigBulle OgierJulien Bertheau, and Milena Vukotic.

The film consists of several thematically linked scenes: five gatherings of a group of bourgeois friends, and the four dreams of different characters. The beginning of the film focuses on the gatherings, while the latter part focuses on the dreams, but both types of scenes are intertwined. There are also scenes involving other characters, such as two involving a Latin American female terrorist from the fictional Republic of Miranda. The film's world is not logical: the bizarre events are accepted by the characters, even if they are impossible or contradictory.

Buñuel plays tricks on his characters, luring them toward fine dinners that they expect, and then repeatedly frustrating them in inventive ways. They bristle, and politely express their outrage, but they never stop trying; they relentlessly expect and pursue all that they desire, as though it were their natural right to have others serve and pamper them. He exposes their sense of entitlement, their hypocrisy, and their corruption. In the dream sequences, he explores their intense fears—not just of public humiliation, but of being caught by police and of being mowed down by guns. At least one character's dream sequence is later revealed to be nested, or embedded, in another character's dream sequence. As the dreams-within-dreams unfold, it appears that Buñuel is also playing tricks on his audience as they try to make sense of the story.

The film was both a critical and commercial success. It won the Academy Award for Best Foreign Language Film,[3] and BAFTA Awards for Best Actress in a Leading Role (Audran) and Best Original Screenplay (Buñuel, Carrière).

Plot[edit]

bourgeois couple, François and Simone Thévenot, accompany François's colleague Don Rafael Acosta, the ambassador from the South American nation of Miranda, and Simone's sister Florence, to the house of the Sénéchals, the hosts of a dinner party. Once they arrive, Alice Sénéchal is surprised to see them and explains that she expected them the following evening and has no dinner prepared. The would-be guests then invite Alice to join them for dinner at a nearby inn.

Arriving at the inn, the party finds it locked. They knock and are reluctantly invited in by a waitress who mentions that the restaurant is under new management. Inside, there are no diners, and the prices on the menu are disconcertingly low. The party hears wailing from an adjoining room and discovers a vigil for the corpse of the manager, who died a few hours earlier. The party is told that the coroner is coming soon, but they hurriedly depart.

Later, at the Embassy of Miranda, Acosta meets with François and Alice's husband Henri to discuss the proceeds of a large cocaine deal. During the meeting, Acosta sees a young woman selling clockwork-animal toys on the footpath outside the embassy. He shoots one of the toys with a rifle and the woman runs off. He explains that she is part of a Maoist Mirandan terrorist group that's been targeting him for months.

Two days later, the bourgeois friends attempt to have lunch at the Sénéchals', but Henri and his wife escape to the garden to have sex instead of joining them. One of the friends take their unexplained absence to mean that the Sénéchals know the police are coming and have left to avoid arrest for their involvement in drug trafficking. The party again leaves in a panic.

When the Sénéchals return from the garden, their friends are gone, but they meet a bishop who has donned their gardener's clothing. They throw him out, but when he returns wearing his bishop's robes, they embrace him with deference. The bishop asks to work for them as their gardener. He tells them about his childhood — that his parents were murdered by arsenic poisoning and that the culprit was never apprehended. (Later in the film, he goes to visit a dying man who turns out to be his parents' murderer; after blessing the man, the bishop kills him with a shotgun.)

The women visit a teahouse just as it has run out of all beverages – tea, coffee, and milk – although it finally transpires that they do have water. While they are waiting, a soldier tells them about his childhood: how after his mother's death his cold-hearted father sent him to military school. The ghost of the soldier's mother informed him that the man was not his real father but his father's killer; they had dueled over his mother. Following the ghost's request, the soldier killed the culprit with poison.

Simone meets Acosta at his apartment. They are having an affair but are interrupted by a visit from her husband, whereupon she makes a convenient excuse and leaves with him. Acosta is next visited by the same terrorist from earlier, who has come to kill him. He ambushes and chastises her, then tells her to leave when she refuses his sexual advances; his agents capture her and take her away.

Several abortive dinner parties ensue; interruptions include the arrival of a group of army officers and enlisted men, who join the dinner only to be called away for alarmingly close military maneuvers, the colonel inviting everyone to his house, only for the revelation that the colonel's dining-room is a stage set in a theatrical performance for an audience that is angry with the actors for not knowing their lines (which turns out to be Henri's dream; which then they later go to the colonel's dinner party, and it's all normal). At the colonel's party, the ambassador gets grilled about his policies in Miranda by everyone there, which leads to the ambassador's shooting of the colonel after he insults the nation of Miranda and slaps the ambassador (which turns out to be the dream of François). The priest/gardener goes to the house of a dying man, which is the man that killed his family. After he confesses to the murder, the priest shoots him with a shotgun. At Alice and Henri's place, they are arrested, to improve the police's public image. During this time, the police electrocute a man by placing him in a piano. The friends are then released by the ghost of the solider's dead dad. The police chief wakes up from the dream that the friends are getting released, and they're actually released by the Interior Minister calling. The film ends with them having dinner at Henri and Alice's house again, where they get their summary execution by the terrorists, who just break into their house. And that is all a dream by Raphael, the ambassador. Most if not all of these scenes turn out to be dream sequences in which ghosts make frequent appearances.

A recurring scene throughout the film, of the six people walking silently and purposefully on a long, isolated country road, is also the final sequence.

Cast[edit]

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