2024年2月29日 星期四

佳美 82 《來自清水的孩子》法國吉美博物館亞洲文學獎。(圖像小說類)Cúpula da Galeria Lafayette, Paris. 佳美 76 好友忙得沒空相聚 (準備......再版的事)



《來自清水的孩子》❤
法國吉美博物館亞洲文學獎(圖像小說類)
游珮芸與周見信共同創作的《來自清水的孩子》,與韓國漫畫家馬榮伸作品《媽媽們:清潔工媽媽與她們的第二人生》及宮崎駿作品《修那之旅》入圍決選,最後獲得榮獲圖像小說獎!
《來自清水的孩子》以白色恐怖受難者蔡焜霖的生命故事為出發點,蔡焜霖出生於1930年代的台中清水,經歷過日本統治、國民政府來台、白色恐怖到解嚴後等時期。
游珮芸在頒獎典禮上表示,想讓台灣年輕一輩知道蔡焜霖的故事。台灣新生代出生在自由年代,不瞭解上一代戒嚴的歷史,透過描述一個人物來認識台灣應該是最容易的理解方式,「藉此把台灣的歷史傳承下去,當然最大的希望也是讓世界看到台灣的故事」。




Cultural heritage
Rosa Maria Alavedra · ·








Adi CaMath PeThur
·

Cúpula da Galeria Lafayette, Paris.

An emblem of Art Nouveau, the Galeries Lafayette Coupole is an architectural feat appreciated by all. Discover its design and history.

Located in the centre of Paris, Galeries Lafayette Paris Haussmann has made an impact since its foundation, primarily due to its dome which has become one of the most iconic architectural monuments in ParisJoin us in discovering its history starting with its construction in 1912 by business men Alphonse KAHN and Théophile BADER.

The origin and construction of the Dome

Created by master glassworker Jacques GRUBER in the “Art nouveau” or “Art déco” style, the Dome is a real architectural feat that attracts crowds from the world over. 

The purpose was to give light and a certain style to the main Galeries Lafayette store, and more particularly to the fabulous gilded ironwork on the balconies fashioned by Louis Majorelle, who also designed the monumental banister on a magnificent staircase which unfortunately,was removed from the store in 1974. 

The stained glass currently in place forms an immense flower comprised of 10 luminous sections stretching over a total of 1000m². The Dome is one thing you shouldn’t miss when entering the Galeries Lafayette Paris Haussmann main building.

The Dome during the Second World War

The Dome has withstood the test of time and only experienced one distinctive event, which was its removal during the Second World War when it was taken apart to prevent it from breaking and showering passers-by with shards of glass during the bombing.

Some of the stained glass panels were never found despite having been carefully numbered. As the missing pieces were replaced by new, entirely white glass, the Dome is therefore not exactly the same as at its origin.

Over time it has become a seminal feature of Paris, in line with other historic monuments such as the Eiffel Tower, the Sacré Cœur or the Arc de TriompheIt will captivate lovers of great architecture as well as those who want to have impressive photo souvenirs of their time in Paris.

Restoration of the Dome

The Maison du Vitrail was in charge of renovating and consolidating the Dome to offer it a second lease on life and to revive all its original splendour. Our glass dome should thus have a bright future and be available for admiring for many years ahead. It remains one of the most visited monuments in Paris.

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The vast worksite requires replacing 1000m² of the stained glass designed by Jacques Grüber, one of the founding members of the École de Nancy in 1901, and lets the store enjoy the natural light so characteristic of Galeries Lafayette Paris Haussmann.

So as not to disturb its clientele, the store has arranged to have renovations take place at night in total privacy. The glass panels that have been removed are replaced with temporary ones. 

The panels still in good condition are simply removed and transported to the Paris workshop for cleaning. The lead mountings are totally refurbished to guarantee the stability of the various pieces.

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