Marina Abramović (1945~)

 

Marina Abramović e Ulay - MoMA 2010

https://www.youtube.com/watch?v=OS0Tg0IjCp4

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Not to be confused with Marina Abràmova.

Marina Abramović
Марина Абрамовић
Marina Abramović – The Cleaner at Palazzo Strozzi in Florence, Italy, in September 2018
Born	November 30, 1946 (age 75) Belgrade, PR Serbia, FPR Yugoslavia
Education	Academy of Fine Arts, Belgrade (1970) Academy of Fine Arts, Zagreb (1972)
Known for	Performance art body art feminist art shock art art film endurance art
Notable work	Rhythm Series (1973–1974) Works with Ulay (1976–1988) Cleaning the Mirror (1995) Spirit Cooking (1996) Balkan Baroque (1997) Seven Easy Pieces (2005) The Artist Is Present (2010)
Movement	Conceptual art
Spouse(s)	Neša Paripović ​ ​ (m. 1971; div. 1976)​ Paolo Canevari ​ ​ (m. 2005; div. 2009)​
Website	mai.art

Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist, philanthropist,^[1] writer, and filmmaker.^[2] Her work explores body art, endurance art and feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind.^[3] Being active for over four decades, Abramović refers to herself as the "grandmother of performance art".^[4] She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body".^[5] In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.^[6][7]

Contents

• 1Early life, education and teaching
• 2Career
  • 2.1Rhythm 10, 1973
  • 2.2Rhythm 5, 1974
  • 2.3Rhythm 2, 1974
  • 2.4Rhythm 4, 1974
  • 2.5Rhythm 0, 1974
  • 2.6Works with Ulay (Uwe Laysiepen)
  • 2.7Cleaning the Mirror, 1995
  • 2.8Spirit Cooking, 1996
  • 2.9Balkan Baroque, 1997
  • 2.10Seven Easy Pieces, 2005
  • 2.11The Artist Is Present: March–May 2010
  • 2.12Other
  • 2.13Refused proposals
• 3Films
• 4Marina Abramović Institute
• 5Collaborations
• 6Controversies
• 7Awards
• 8Bibliography
  • 8.1Books by Abramović and collaborators
  • 8.2Films by Abramović and collaborators
• 9See also
• 10References
• 11External links
  
  

Solomon R. Guggenheim Museum 

Happy birthday to Marina Abramović, who was born #OnThisDay.

In 2005, Abramović staged “Seven Easy Pieces,” a series of seven performances over as many consecutive evenings that occupied the rotunda from 5 pm to midnight daily. For the first six nights, Abramović reenacted landmark performance works by her peers Bruce Nauman, Vito Acconci, VALIE EXPORT, Gina Pane, and Joseph Beuys, as well as her own 1975 piece “Lips of Thomas.” For the final night she premiered a new work titled “Entering the Other Side” (2005).

The project was premised on the fact that little documentation exists for most performances from the 1960s and ‘70s; one often has to rely upon testimonies from witnesses or photographs that capture only fragments of any given piece. “Seven Easy Pieces” examined the possibility of reenacting and preserving an art form that is, by nature, ephemeral.

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Photo: Kathryn Carr

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