7點起，好天氣。讀Gulliver's Travels 3：2字源等，這要以後再處理。
鄭欽仁當過【首都早報】的總主筆。1990年10月出版的【自立的台灣】 (稻鄉出版社)，收錄張國興發表他1989-90 所發表的時論 (時論團隊另外有杭之--陳忠信等人)："台灣篇"主要，主張"走向台灣新憲法之路"、"廢除三不像的"國會"代以民主國會"、"面對現實，重建新台灣"......
許達然為《郭楓散文精選集》寫的〈序〉等等；郭楓、許達然與《新地文學》
前幾天，川瀨先生回國前，將他近十年交往時的一些印刷品，交還給我，因為，他日本的書房，早已書滿為患。
因此，我有機會讀十年前，臺中一中創校九十年慶附近的中、日文【通訊】(臺北市的校友設有一校友會財團法人)，以及寫中一中的書。
財團法人的會議論文，如"第一屆蔣渭水研究學術研討會"，內有文探討他20年的翻譯 (日譯中)。
學報如臺北教育大學臺灣文化研究所的【文史台灣學報】第二期2010，內有應鳳凰的"解讀1962年臺灣文壇禁書事件--從【心鎖】探討文學史敘述模式"，pp. 45-64。
也有作者的贈書，譬如說2014年12月，【坐對一山青：郭楓文選散文一集】，還收入多年前許達然為《郭楓散文精選集》寫的〈序〉。
因此，我有機會讀十年前，臺中一中創校九十年慶附近的中、日文【通訊】(臺北市的校友設有一校友會財團法人)，以及寫中一中的書。
財團法人的會議論文，如"第一屆蔣渭水研究學術研討會"，內有文探討他20年的翻譯 (日譯中)。
學報如臺北教育大學臺灣文化研究所的【文史台灣學報】第二期2010，內有應鳳凰的"解讀1962年臺灣文壇禁書事件--從【心鎖】探討文學史敘述模式"，pp. 45-64。
也有作者的贈書，譬如說2014年12月，【坐對一山青：郭楓文選散文一集】，還收入多年前許達然為《郭楓散文精選集》寫的〈序〉。
臺灣文學獨行俠─郭楓
文、攝影／郭楓
「散文世界不是桌子而是社會，他的詩觀是拒絕談禪說道的囈語和尋夢織幻的幽趣，是張揚社會思想的創作和寫實主義的藝術。」---出自《郭楓散文精選集》之許達然〈序〉
a special animated video of the poet Philip Larkin reading The Trees
Body of Lies is a 2008 American action-spy film directed by Ridley Scott. Set in the Middle East, it follows the attempts of the CIA and Jordanian Intelligence to catch "al-Saleem", a terrorist. Frustrated by their target's elusiveness, differences in their approaches strain relations between a CIA operative, his superior, and the head of Jordanian Intelligence.
William Monahan's screenplay, based on the novel of the same name by David Ignatius, examines contemporary tension between Western and Arab societies and the comparative effectiveness of technological and human counter-intelligence methods. The film was shot largely on location in the United States and Morocco, after authorities in Dubai refused permission to film there because of the script's political themes. The film's photography sought to emphasize the contrast between the gold and dust of the desert and Arab cities, and the blue and gray of bureaucracy and Washington. Accordingly, they used natural light wherever possible. Marc Streitenfeld arranged the musical score.
Scott's direction and visual style were praised by critics, but they criticized his formulaic handling of the story and use of conventions from the spy genre, such as surveillance shots from high-altitude spy planes. The performances by Leonardo DiCaprio, Russell Crowe, and Mark Strong as the three principals were particularly mentioned, including DiCaprio's involvement with his character, Crowe's put-on accent and weight, and Strong's urbane sophistication.
2015.12.13 ：昨天看電視，才知道蔡英文團隊和民進黨採用的羽絨衣，乃是宏遠紡織的產品。葉清來總經理陪蔡主席參觀成衣工廠。高小姐現在是該新品牌的副總經理。
2015.9.3 最近在謝金河先生的 (財經)節目，會播訪問葉清來董事長。(hc：未看)
葉清來先生是我的恩人。1996年，難忘的際遇。
了解宏遠興業公司的重要"新聞"：http://www.everest.com.tw/_chinese/04_news/02_news.aspx
The literary genius died 30 years ago this month.
A beautiful animation of Philip Larkin’s The Trees
For the 30th anniversary of Philip Larkin’s death, BBC Culture commissioned a special animated video of the poet reading The Trees. Click on the arrow above to watch the video.
The Trees is one of Larkin’s most famous and best-loved poems. In it, the poet equates the renewal of the seasons with death and pain: “Their greenness is a kind of grief”, he writes. But while it is regularly called one of the greatest poems about Spring, Larkin’s own feelings about The Trees were more ambivalent.
As his colleague James Booth explains in his article onEngland’s miserable genius, Larkin was aware that the emotional uplift of The Trees would make it popular. But he himself dismissed it as ”very corny”, and even "bloody awful tripe".
Watch this beautiful animation created by Lucy Izzard for BBC Culture and see what you think.
The Trees, by Philip Larkin
The trees are coming into leaf
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief.
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief.
Is it that they are born again
And we grow old? No, they die too,
Their yearly trick of looking new
Is written down in rings of grain.
And we grow old? No, they die too,
Their yearly trick of looking new
Is written down in rings of grain.
Yet still the unresting castles thresh
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.
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