Henri Matisse 的幾個畫室： Paris studio, 1908、1949；

Pinuccia Cazzulani
Henri Matisse , French painter & Sculptor



"In his Paris studio with its windows looking out over a monastery garden, in 1908 Matisse created one of his most important works of the period 1908-1913: "The Red Room"("a decorative panel"), intended for the dining room in the Moscow mansion of the famous Russian collector Sergey Shchukin. Matisse turned to a motif common in the works created that year: a room decorated with vases, fruits and flowers: The luxuriant raspberry red fabric with its energetic twists of blue pattern seems to sink down from the wall, taking over the surface of the table and uniting it in a single whole, swallowing up the three-dimensional space of the room and masterfully confirming the decorative potential of the canvas surface. But in affirming the flatness of the red colour, the artist managed to create within it the impression of space, space within which the female figure bending over the vase could move and within which the sharp angled view of the chair seemed natural. The window, through which we see a green garden with flowering plants, allows the eye to move into the depths of the canvas." https://www.hermitagemuseum.org/....../01....../28389......
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11月21日上午2:58 ·

Henri Matisse
(Henri-Émile-Benoît Matisse 1869- 1954)
Impressionism/ Fauvism
"Red Room" (Harmony in Red) -France, 1908
oil on canvas 180,5x221 cm
State Hermitage Museum , Saint Petersburg, Russia
Entered the Hermitage in 1948; handed over from the State Museum of New Western Art in Moscow; originally in the Sergei Shchukin collection
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"In his Paris studio with its windows looking out over a monastery garden, in 1908 Matisse created one of his most important works of the period 1908-1913: "The Red Room"("a decorative panel"), intended for the dining room in the Moscow mansion of the famous Russian collector Sergey Shchukin.
Matisse turned to a motif common in the works created that year: a room decorated with vases, fruits and flowers: The luxuriant raspberry red fabric with its energetic twists of blue pattern seems to sink down from the wall, taking over the surface of the table and uniting it in a single whole, swallowing up the three-dimensional space of the room and masterfully confirming the decorative potential of the canvas surface. But in affirming the flatness of the red colour, the artist managed to create within it the impression of space, space within which the female figure bending over the vase could move and within which the sharp angled view of the chair seemed natural. The window, through which we see a green garden with flowering plants, allows the eye to move into the depths of the canvas."
https://www.hermitagemuseum.org/....../01....../28389......
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Paris studio 1949  五樓

The Artist in His Studio By Liberman, Alexander

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1917　Nice