半夜起來2次。8點醒。
254 那個時代:陳逸雄(1929-1997)及林莊生(1930-2015)與其父執輩
前天，曹永洋兄來長聊，沒有及時記下。他當志文編輯時，有機會讓一些很懂得外文的朋友發表。談到芥川寫的某些小傳，收入新潮文庫，可那本我已封藏。今天拿中國翻譯的{全集}來找，先注意到【聖 克利斯朵夫傳】1909，我猜，這是他讀Jean-Christophe (1904‒1912, is the novel in 10 volumes by Romain Rolland) 之餘作的"考古"。
不知何故，全集第一篇是1914年寫的【老年】：我對篇末的大德寺的水仙畫等，都很有興趣。
如此，查書，迷路。
如此，查書，迷路。
郵局出來，電扶梯碰到曹學長 (他帶sushi、花生和橘子等來訪，謝知音)；帶他去聽台大文學院音樂會第199場"古琴指法的"意"想世界，約1350送他回去---經台大校園，想像走在某公園，台灣有日暖的秋天之天與氣之下。.....
金天特別，有機會與朋友參加兩場有意思音樂會：
中午與曹永洋兄參加台大文學院音樂會第199場【古琴指法的"意"想世界】。我想以後讀荷蘭漢學家——高羅佩的相關著作會比校不外行。
晚上參加李肇修教授的後半場【全本巴哈無伴奏小提琴音樂會】(他的encore之Bach曲，真是神氣十足!)，碰到許多朋友。會後，與志峰和家恆到我辦公室附近的"比利時啤酒"大聊；謝謝家恆送的【2017 Music Pad】以及李潔民、林添貴的故事；志峰的故事也多，譬如說廖亦武的柏林和訪台"故事"。
我很後悔過去幾月少發此連絡簿。
昔日讀黑川紀章年譜，他從1974起，每年一頁。分項為下，我就效法一下：
活動：漢清講堂 Free and open to the public. (1)漢清講堂
漢清講堂 (2)： Free and open to the public. 2015 紀念胡適之先...
漢清講堂 (2)： Free and open to the public. 2015 紀念胡適之先...
譯作(品)：戴明博士《轉危為安》與《新經濟學》
受賞： 缺
著書：缺
展覽會/旅遊：香港、台南
會議；缺
審查員/演講 ：缺
交友：
曹永洋(2)：得天下英才
徐錚：Happy New Year. I'm looking forward to receiving more of your newsletters and thereby drawing some energy from them. Take care.
溫肇東(2)：「溫故滋薪」；十年百城千卷萬里；創河；〈失控的觀光旅遊：變質的人文與土地〉
林世堂博士
嚴匡漢 (William Yen).
王晃三、沈金標、鍾寶衡
發尾牙通知書。
司馬大學校友會（2007春）
這回的司馬大學（Simon University*）校友會，也許是「第六屆（界）」：空前盛舉，創新不斷；高潮疊起….臨別依依。 （*這是hc為紀念他的紙上師長，一代奇才Herbert A. Si…
朋友，13日，要參加聚會的，每人最多可發表30分鐘的報告，請email給我，告訴您的題目和估計時間、需求使用投影機否--製成影片效果好點。有譯作出版的，可以多發揮。
你有新書或二手書要帶來交換的，一定要記得。換句話說，例如繆女士給我們新書和摸彩品，我們該回饋。
本月紀念胡適之先生影片中 (有重複處)，將Ken SU先生的許多寶貴發言拿掉，所以建議蘇兄談"打油詩和臺語"等。
新春快樂
Ken要講一段「台語八音與兒童念歌」。
曹永洋(2)：得天下英才
徐錚：Happy New Year. I'm looking forward to receiving more of your newsletters and thereby drawing some energy from them. Take care.
溫肇東(2)：「溫故滋薪」；十年百城千卷萬里；創河；〈失控的觀光旅遊：變質的人文與土地〉
林世堂博士
嚴匡漢 (William Yen).
王晃三、沈金標、鍾寶衡
發尾牙通知書。
司馬大學校友會（2007春）
這回的司馬大學（Simon University*）校友會，也許是「第六屆（界）」：空前盛舉，創新不斷；高潮疊起….臨別依依。 （*這是hc為紀念他的紙上師長，一代奇才Herbert A. Si…
朋友，13日，要參加聚會的，每人最多可發表30分鐘的報告，請email給我，告訴您的題目和估計時間、需求使用投影機否--製成影片效果好點。有譯作出版的，可以多發揮。
你有新書或二手書要帶來交換的，一定要記得。換句話說，例如繆女士給我們新書和摸彩品，我們該回饋。
本月紀念胡適之先生影片中 (有重複處)，將Ken SU先生的許多寶貴發言拿掉，所以建議蘇兄談"打油詩和臺語"等。
新春快樂
Ken要講一段「台語八音與兒童念歌」。
比較【攻心記】及直接譯自波蘭之文---為什麼我2011年買來卻現在才比對，很麻煩的直譯vs意譯問題
給同學信
同學們，
新年新希望。
昨天苦邦將美國加州同學會4人的照片、錄影給我們在fb流傳，請點閱：
1975 IE 同學(2015 之二)
同學們，
新年新希望。
昨天苦邦將美國加州同學會4人的照片、錄影給我們在fb流傳，請點閱：
1975 IE 同學(2015 之二)
看看流落在美國的同學,現在什麼樣子. -- 苦邦,顧問,林壯為,糜以諒
--12/27/15苦邦家— 與 Norman Lin 在洛杉磯
Bruce Chen 林壯為兄已認不出了！
藍東顯 年紀大了，就要把老朋友找回來。
--12/27/15苦邦家— 與 Norman Lin 在洛杉磯
Bruce Chen 林壯為兄已認不出了！
藍東顯 年紀大了，就要把老朋友找回來。
昨天自錄"喜多川 歌麿（Kitagawa Utamaro 、1753年頃? - 1806年 ）"，我很感謝永井荷風的名篇《浮世繪鑑賞》(收入陳德文翻譯的《永井荷風散文選》：)：受壓迫的市民繪畫師；道地日本的藝術、合乎日本的風土.....
以及先前談Hokusai時，周作人的介紹永井荷風的作品。
Discover (ghost folklore) Japan -39
"Yuki-Onna (Snow lady)" from Lafcadio Hearn's Japanese ghost stories "Kwaidan". Illustrator Warwick Goble (1862 – 1943).
"Yuki-Onna (Snow lady)" from Lafcadio Hearn's Japanese ghost stories "Kwaidan". Illustrator Warwick Goble (1862 – 1943).
Yuki-Onna is not only a spirit of snow but also another name of freezing to death in the mountain. She is dressed very white Kimono dress anytime and her cold breath lets sleepy and die.
POSTING RULES AND GUIDELINES FOR OUR MEMBERS : PLEASE READ CAREFULLY BEFORE YOU POST ANYTHING ON OUR GROUP PAGE!
Revised: October 12, 2017.
Welcome to The Golden Age of Illustration group!
We hope that you will enjoy the vast range of illustrative work by the established artists on this page!
TIMEFRAME
The Golden Age of Illustration occurred from the 1880s to the 1920s. To ensure we're not excluding great illustrators from the Victorian era, or the mid-20th century, we've extended the dates at both ends. We want to see excellent illustration done during this 150-year timeframe, 1830–1980.
The Golden Age of Illustration occurred from the 1880s to the 1920s. To ensure we're not excluding great illustrators from the Victorian era, or the mid-20th century, we've extended the dates at both ends. We want to see excellent illustration done during this 150-year timeframe, 1830–1980.
POSTING
Please take a moment to familiarise yourself with the following group rules. Posts that don't meet the criteria will be deleted without notice. Thank you in advance for your cooperation with these terms.
Please take a moment to familiarise yourself with the following group rules. Posts that don't meet the criteria will be deleted without notice. Thank you in advance for your cooperation with these terms.
DO's
Please be polite and respectful of other members, and follow these guidelines:
Please be polite and respectful of other members, and follow these guidelines:
• Please stay within the 150-year timeframe (1830–1980).
• Please post the work of artists who exemplify the Golden Age of Illustration.
• Please post crisp, sharp-focussed images, or find high-resolution images online.
• Please identify the artist in your description—don't assume everyone knows your favourite artist. Also include the title, book, date, and medium (if known). Information about the illustrator is always welcome. • Please use one of the easy-to-use Reverse Image sites if you don't know the name of the artist. Your fellow members will be happy to help you out.
• Please remember to see these works in their historical context, and enjoy the illustrations! Leave your modern-day sensibilities behind, and appreciate that this work was done in another era.
• Please remember to see these works in their historical context, and enjoy the illustrations! Leave your modern-day sensibilities behind, and appreciate that this work was done in another era.
DON'T's
Please pay special attention—posts of this type will be deleted, and may cause your immediate removal from the group without notice:
Please pay special attention—posts of this type will be deleted, and may cause your immediate removal from the group without notice:
• No foul language (in the Post Description, or Comments).
• No personal work, advertising, promotion, or marketing of your own illustration is allowed.
• No Political, Racist or Homophobic or Hate Speech content of any kind is allowed. Those kinds of posts and/or comments will get you removed immediately without warning!
• No Anime or Manga.
• No erotica or sexually explicit art, including Frank Frazetta et al.
• No Mr Men or other stickfigure-type illustrations.
• No Superhero/Comic book illustrations (there are other groups that specialise in that genre). Winsor McCay and Little Nemo would be a notable exception.
• No modern digital illustration, especially post-1980.
• No other art forms such as photography or sculpture, for eg, qualify as illustration.
• No fine art paintings.*
• No fine art paintings.*
There IS a difference between illustration and painting. If there is doubt in your mind about an image, please use this description as your guide when posting in this group—your post will be evaluated on this definition:
*Painting vs Illustration:
Illustrations are done for a commercial audience, a mass market, if you will. They are used to illustrate a story or product for a public audience. These public audience vehicles include: books, magazines, cards, posters, and advertising, for example.
Illustrations are done for a commercial audience, a mass market, if you will. They are used to illustrate a story or product for a public audience. These public audience vehicles include: books, magazines, cards, posters, and advertising, for example.
A painting, on the other hand, is done not to sell or illustrate a product, but is done as a personal work by the artist, or as a commission for a single patron. It is not done for a public/mass/commercial market audience.
Illustrations and paintings are both art, but the audience is where the distinction lies. This group is devoted to illustrative art.
Illustrations and paintings are both art, but the audience is where the distinction lies. This group is devoted to illustrative art.
Best Wishes from Muir Hewitt (Founder), and Age Hill, Cheryl Baker , Christine Silvio and David Malcolmson (Admins)
Henry Justice Ford : The Prince Who Would Seek Immortality- an illustration for The Crimson Fairy Book by Andrew Lang.
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