巫寧坤 「紅色中國文學翻譯家的命運」，收入《孤琴》台北：允晨，2008，頁233-241：2002年2月於維州獵人森林公寓
【中國的假面】#李明哲被失蹤60天 #李凈瑜專訪
The Discovery of Spain
https://www.youtube.com/watch?v=E8BdwJ6uc2Y&spfreload=10
https://www.youtube.com/watch?v=E8BdwJ6uc2Y&spfreload=10
英國打開西班牙藝術的Pandora's Box
The Discovery of Spain
https://www.youtube.com/watch?v=E8BdwJ6uc2Y&spfreload=10
154 Pandora's Box (文化史観) 2017-04-21
https://www.youtube.com/watch?v=2hJcExtZGQo
The Discovery of Spain
https://www.youtube.com/watch?v=E8BdwJ6uc2Y&spfreload=10
154 Pandora's Box (文化史観) 2017-04-21
https://www.youtube.com/watch?v=2hJcExtZGQo
清沈復*《浮生六記·浪游記快》：“ 海幢寺規模極大，山門內植榕樹，大可十餘抱，蔭濃如蓋，秋冬不凋。”
(*沈復（西元1763年～西元1825（26）年，[1]），字三白，號梅逸，清乾隆二十八年生於江蘇省蘇州府長洲縣（今蘇州市）。年輕時曾為幕僚，後從商。)
HC似乎找不到"大可十餘抱的榕樹"了，於戲！
"本刊"報導過FBI的轉型......
紐約時報，好玩：Your Morning Briefing
By CHARLES McDERMID 43 minutes ago
Here’s what you need to know to start your day.
--
Russia Investigation Gets Special Counsel
Robert Mueller, Ex-F.B.I. Chief, to Lead Inquiry on Meddling
By REBECCA R. RUIZ 7:00 PM ET
The appointment of Robert S. Mueller III follows days of chaos that have engulfed the White House since the abrupt firing last week of James B. Comey.
The stakes are now higher for President Trump, who said in a statement that the process would show that “there was no collusion.”
----
ON | OP-ED COLUMNIST
The 25th Amendment Solution to Remove Trump
By ROSS DOUTHAT
Removal, not impeachment, for a president unfit for office.
By CHARLES McDERMID 43 minutes ago
Here’s what you need to know to start your day.
--
Russia Investigation Gets Special Counsel
Robert Mueller, Ex-F.B.I. Chief, to Lead Inquiry on Meddling
By REBECCA R. RUIZ 7:00 PM ET
The appointment of Robert S. Mueller III follows days of chaos that have engulfed the White House since the abrupt firing last week of James B. Comey.
The stakes are now higher for President Trump, who said in a statement that the process would show that “there was no collusion.”
----
ON | OP-ED COLUMNIST
The 25th Amendment Solution to Remove Trump
By ROSS DOUTHAT
Removal, not impeachment, for a president unfit for office.
QUOTATION OF THE DAY
"I hope you can see your way clear to letting this go, to letting Flynn go. He is a good guy."
"I hope you can see your way clear to letting this go, to letting Flynn go. He is a good guy."
「一帶一路」的英文只：「帶(與)路」......
BBC Science News
昨天 20:06 ·
Redesigning the recyclers' nightmares
作Trojan Horse (disambiguation)slides 可以與Lacoon併
我們的第4單元，足以說明在"伊斯蘭的世界"中，伊斯坦堡只是一名城 (是東西文化交融處)，從純藝術的角度看，它或者已非純伊斯蘭的本事。
本周 2017-05-19/20 【漢清講堂】要談的
君士坦丁堡三部曲：從下述大綱，我們可以知道：此次的介紹，都只能算是浮光掠影！請讀者或觀眾見諒。
君士坦丁堡三部曲：從下述大綱，我們可以知道：此次的介紹，都只能算是浮光掠影！請讀者或觀眾見諒。
I. Journey to the East by Charles-Edouard Jeanneret 三講
(2). 壯遊：在土耳其的土地上、君士坦丁堡等；
配合演說：
II. John Berger的《在博斯普魯斯海峽上》ON THE BOSPHORUS；
II. John Berger的《在博斯普魯斯海峽上》ON THE BOSPHORUS；
III. 伊斯坦堡簡介及 Orhan Pamuk的《 Istanbul之回憶》等；
IV：
"賀貝聿銘 (I. M. Pei)先生百歲，談其設計的 The Museum of Islamic Art及老年創造力
甲： I. M. Pei 貝聿銘簡介：偏重美術館等主要作品；
乙： Museum of Islamic Art 簡介"
重讀：
Conversations with I.M. Pei: Light is the Key
by Gero von Boehm, 2000
【與貝聿銘對話】/【貝聿銘談貝聿銘】 林兵譯，台北：聯經，2003； 北京：文匯，2004 (附錄：貝聿銘的中國情懷。)
"賀貝聿銘 (I. M. Pei)先生百歲，談其設計的 The Museum of Islamic Art及老年創造力
甲： I. M. Pei 貝聿銘簡介：偏重美術館等主要作品；
乙： Museum of Islamic Art 簡介"
重讀：
Conversations with I.M. Pei: Light is the Key
by Gero von Boehm, 2000
【與貝聿銘對話】/【貝聿銘談貝聿銘】 林兵譯，台北：聯經，2003； 北京：文匯，2004 (附錄：貝聿銘的中國情懷。)
沒買台版書，或會後悔：
"賀貝聿銘 (I. M. Pei)先生百歲，談其設計的 The Museum of Islamic Art及老年創造力
甲： I. M. Pei 貝聿銘簡介：偏重美術館等主要作品；
乙： Museum of Islamic Art 簡介"
"賀貝聿銘 (I. M. Pei)先生百歲，談其設計的 The Museum of Islamic Art及老年創造力
甲： I. M. Pei 貝聿銘簡介：偏重美術館等主要作品；
乙： Museum of Islamic Art 簡介"
重讀：
Conversations with I.M. Pei: Light is the Key
by Gero von Boehm, 2000
【與貝聿銘對話】/【貝聿銘談貝聿銘】 林兵譯，台北：聯經，2003； 北京：文匯，2004 (附錄：貝聿銘的中國情懷。)
發現有些美術館的內部照片可用；可是，當年中國版的印刷水準.....
Conversations with I.M. Pei: Light is the Key
by Gero von Boehm, 2000
【與貝聿銘對話】/【貝聿銘談貝聿銘】 林兵譯，台北：聯經，2003； 北京：文匯，2004 (附錄：貝聿銘的中國情懷。)
發現有些美術館的內部照片可用；可是，當年中國版的印刷水準.....
BOADTYPE OK
下午用sony錄---晨怡來裝4片；末一片Memory不夠。
Dear 小英 ("蘋論：小英一年健檢：沒有寧靜的改革")，
以前的座右銘；今天的耐心。
負責轉形的人(團隊)任重道遠， 必須窮數十寒暑的努力。
"When we size up the job ahead, it is obvious that a long thorny road lies ahead -- decades."
Dependence on protection by tariffs and laws to "buy American" only encourages incompetence.
It would be incorrect to leave the reader with the impression that no action is taking place.
(Deming, 1986, Preface for Out of the Crisis)
Dear 小英；蔡英文 Tsai Ing-wen談談過去一年台灣的變化和改革的進度、蘋論：小英一年健檢：沒有寧靜的改革
Dear 小英 ("蘋論：小英一年健檢：沒有寧靜的改革")， 以前的座右銘；今天的耐心。 負責轉形的人(團隊)任重道遠， 必須窮數十寒暑的努力。 "When we size up the job ahead, it is obvious that a long thor...
HCNEW.BLOGSPOT.COM
"When we size up the job ahead, it is obvious that a long thorny road lies ahead -- decades."
Dependence on protection by tariffs and laws to "buy American" only encourages incompetence.
It would be incorrect to leave the reader with the impression that no action is taking place.
(Deming, 1986, Preface for Out of the Crisis)
Dear 小英；蔡英文 Tsai Ing-wen談談過去一年台灣的變化和改革的進度、蘋論：小英一年健檢：沒有寧靜的改革
Dear 小英 ("蘋論：小英一年健檢：沒有寧靜的改革")， 以前的座右銘；今天的耐心。 負責轉形的人(團隊)任重道遠， 必須窮數十寒暑的努力。 "When we size up the job ahead, it is obvious that a long thor...
HCNEW.BLOGSPOT.COM
Memory, History, Forgetting
Paul Ricoeur
University of Chicago Press, Jan 1, 2009 - Philosophy - 624 pages
3 Reviews
Paul Ricoeur
University of Chicago Press, Jan 1, 2009 - Philosophy - 624 pages
3 Reviews
Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative.
Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora.
A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation.
“His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal
“Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review
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