今年起，中國的書價翻漲，有的都快直逼台灣的了。
反之，台北的二手書店頗多，可說又好又便宜。
因此，應該惡補八零年代的許多台灣出版品。
-----10點50補:
許國賓珍古書店老闆兼知名爵士樂評論家 許國隆 音樂----他們真的是許達然的弟弟嗎?
遠流版《胡適作品集》出版前言 王榮文 (1986)
『最後，我們對遠流版《胡適作品集》得以印行，特別要感謝胡適紀念館主任王志維先生的信任與委託， 也感謝陳宏正先生的穿針引線與熱心協助。』
2013年11月初，透過許達然老師和陳忠信兄的介紹，
----2013.12.17 胡適之先生”生日” 。台北整天小雨，午後翻讀些：
《胡適作品集》29 :《胡適選註的詩選》 :《絕句一百首》1934/《每日一首詩》
胡適引杜甫 《絕句漫興》(九之一)
解 《神會語錄 》 : 問，若為生是無念？答，不作意即是無念。
隔戶楊柳弱嫋嫋，
恰似十五女兒腰。
誰謂朝來不作意？
狂風挽斷最長條！
****
王子晉 高駢
「煉汞燒鉛四十年，
至今猶在藥爐前。
不知子晉緣何事，
只學吹簫便得仙。」
譚延闓先生晚年為人寫屏條，愛寫這首詩，人多不知為誰的詩。
二十三 ‧四‧二九 1934.4.29
胡適日記全集, 第 6卷 1930-33
p.250 1930.8.31 譚延闓寫條幅
2013.12.17 胡適之先生”生日” 。 《胡適作品集》29 :《胡適選註的詩選》 :《絕句一百...早上2點多即醒......
中午新加坡幣23元1993-95 約17
收
老梁預定2014年1月4日娶媳婦,
已請梁太太依附件在台老同學地址,
寄喜帖給各位.
歡迎大家安排時間聚聚.
找不到元好問論詩
下午一點40分廁所翻讀印度佛教史概說---日本四學者作品 有索引未譯----才想起今天是胡適之先生的生日
Hu Shih (simplified Chinese: 胡适; traditional Chinese: 胡適; pinyin: Hú Shì; Wade–Giles: Hu Shih, 17 December 1891 – 24 February 1962),
《胡適選註的詩選》 :《絕句一百首》1934/《每日一首詩》
遠流版《胡適作品集》出版前言王榮文1986
『最後，我們對遠流版《胡適作品集》得以印行，特別要感謝胡適紀念館主任王志維先生的信任與委託，也感謝陳宏正先生的穿針引線與熱心協助。』
2013年11月初，透過許達然老師和陳忠信兄的介紹，得以認識陳宏正先生。
----2013.12.17 胡適之先生”生日” 。台北整天小雨，午後翻讀些：
《胡適作品集》29 :《胡適選註的詩選》 :《絕句一百首》1934/《每日一首詩》
李商隱《嫦娥》賞析. 嫦娥·李商隱.
雲母屏風燭影深。
長河漸落曉星沉。
嫦娥應悔偷靈藥，
碧海青天夜夜心。
長河指銀河。
馮廢名先生最賞識此詩
二十六‧二‧二十一
****
王子晉 高駢
「煉汞燒鉛四十年，
至今猶在藥爐前。
不知子晉緣何事，
只學吹簫便得仙。」
譚延闓先生晚年為人寫屏條，愛寫這首詩，人多不知為誰的詩。余嘉錫先生初疑是曹唐的詩；他後來查出是高駢的詩，原題為《聞河中王鐸加都統》。
二十三 ‧四‧二九 1934.4.29
胡適日記全集, 第 6卷 1930-33
p.250 1930.8.31 譚延闓寫條幅
《廢名集》北京大學 2009 許多次談李義山不過似乎沒提到此篇
。‧
《題趙子昂苕溪圖》虞堪
吳興公子玉堂仙，
寫出苕溪似輞川。
回首青山紅樹下，
回首青山紅樹下，
那無十畝種瓜田？
王孫今代玉堂仙，自畫苕溪似輞川。
如此青山紅樹底，可無十畝種瓜田？
如此青山紅樹底，可無十畝種瓜田？
劉修業女士從《四庫珍本》虞堪《希澹園詩集》卷三撿得此詩，其字句有小異。三十四‧七‧二十九
絕句 張光弼
一陣東風一陣寒，
巴蕉長過石闌干。
只消幾度瞢騰醉，
看得春光到牡丹。
光弼，盧陵人，元末為浙省員外。張士誠專政，光弼棄官去。號一笑居士。此詩見瞿佑《歸田詩話》。
--
題畫竹石 鄭燮
咬定青山不放鬆，
立根原在破巖中。
千磨萬擊還堅勁，
任爾東西南北風。
申壽生君投書引此詩，我就記誦了。
二三‧六‧十二
-----
讀《秦始皇本紀》陳恭尹
謗聲易弭怨難除。
秦法雖嚴亦甚疎；
夜半橋邊呼孺子 ，-------
人間猶有未燒書。*
陳恭尹 ，字元孝，廣東順德人。他的父親陳邦彥曾在唐王與永明王的政府裏任職，最後與陳子壯攻廣州，兵敗退入清遠，城破被殺。那時恭尹才十幾歲。他終生隱居，自號羅浮布衣，有《獨漉堂集》。
*這是用張良遇圯上老父受書的事。
----
很可以查英文單字
A selection of some of the best quotes from actor Peter O'Toole, who has died aged 81.
On predicting his future career "I will not be a common man because it is my right to be an uncommon man. I will stir the smooth sands of monotony" - from an early poem
On becoming an actor
"I hitched to London on a lorry, looking for adventure. I was dropped at Euston Station and was trying to find a hostel. I passed the Royal Academy of Dramatic Art, and walked in just to case the joint."
He later said his studies at Rada under a scholarship began "quite by chance... not out of burning ambition but because of all the wonderful-looking birds".
On drinking and health
"If you can't do something willingly and joyfully, then don't do it. If you give up drinking, don't go moaning about it; go back on the bottle. Do. As. Thou. Wilt."
His house rules for a New Year's Eve party at his Hampstead home: "Fornication, madness, murder, drunkenness, shouting, shrieking, leaping polite conversation and the breaking of bones, such jollities constitute acceptable behaviour, but no acting allowed."
"The only exercise I take is walking behind the coffins of friends who took exercise."
Peter O'Toole describes his "rabbit hutch" childhood to Michael Parkinson
"I woke up one morning to find I was famous. I bought a white Rolls-Royce and drove down Sunset Boulevard, wearing dark specs and a white suit, waving like the Queen Mum."
"Stardom is insidious. It creeps up through the toes. You don't realise what's happening until it reaches your nut. That's when it becomes dangerous."
On acting
"I'm a very physical actor. I use everything - toes, teeth, ears, everything. I don't simply mean physical in the sense of movement and vigour. I find myself remembering the shape of a scene by how I'm standing, what I'm doing."
"I take whatever good part comes along," O'Toole told The Independent on Sunday newspaper in 1990. "And if there isn't a good part, then I do anything, just to pay the rent. Money is always a pressure. And waiting for the right part - you could wait forever. So I turn up and do the best I can."
"The love of it is great, huge and it will be with me forever. I blundered into it, found I could do it well. It has raised me from nothing into something, not a lot, but something. If you do something well and you enjoy it, what more can you bloody well ask?"
On the critical savaging of his stage Macbeth in 1980: "The thought of it makes my nose bleed."
Nick Higham reports on the life and career of Peter O'Toole
When the Academy originally offered O'Toole the statuette he requested as he was "still in the game and might win the lovely bugger outright, would the Academy please defer the honour until I am 80?".
Upon receiving the lifetime achievement at the 75th Academy Awards in 2003: "Always a bridesmaid never a bride my foot!"
On subsidised theatre
"It is the same rules for us as it is for cricket, boxing, anything. We are an entertainment. We have to live and thrive in a competitive market. If we become an overprotected species we are dead."
O'Toole is seen backstage at the opening night of Hamlet at the Old Vic theatre in London in 1963
A month before his 80th birthday in 2012, O'Toole announced it was time to "chuck in the sponge" and retire from stage and screen.
"The heart for it has gone out of me. It won't come back. My professional acting life has brought me public support, emotional fulfilment and material comfort. However it is my belief that one should decide for oneself when it is time to end one's stay. So I bid the profession a dry-eyed and profoundly grateful farewell."
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