Met exhibition “Manet/Degas.”“Olympia,” the brothel scene that birthed modern art. Edouard Manet: Rebel in a Frock Coat By Beth Archer Brombert , 1996 ；《馬內的象徵革命：藝術場域的誕生》(台北：群學。2022) 《化名奧林匹亞》(台北遠流，1996)

9月11日讀紐約時報的FALL PREVIEW

The 19th Century’s Most Scandalous Painting Comes to New York

先翻翻《馬內的象徵革命：藝術場域的誕生》(台北：群學。2022)的索引，.”“Olympia”項目索

引多，可是頁數走精，一時間無法利用，很失望。 《化名奧林匹亞》(台北遠流，1996)找不著。翻讀Edouard Manet: Rebel in a Frock Coat  By Beth Archer Brombert , 1996 ，索引做得很細，很好(讀Nana 項目，佩服)。

 “Manet/Degas.”“Olympia,” the brothel scene that birthed modern art.  Edouard Manet: Rebel in a Frock Coat  By Beth Archer Brombert , 1996 ；《馬內的象徵革命：藝術場域的誕生》(台北：群學。2022) 化名奧林匹亞

Edouard Manet: Rebel in a Frock Coat Paperback – 24 11 月 1997

作者 Beth Archer Brombert 

"Manet comes alive in [Brombert's] pages. . . . At times her biography reads like a substantial and detailed 19th-century novel. . . . Brombert's Edouard Manet gives us not only a portrait of a complex artist but, in its authority and its range, a portrait of an age as well."—James R. Mellow, New York Times Book Review

"One of the pleasures of reading her is to follow the way she weaves life, art and history into a smooth tapestry. The art emerges from the life, and in the broadest possible context: in terms of its creator's life and concerns and in terns of its historical and cultural setting."—Eric Gibson, The Washington Times Books

"Richly detailed and informative . . . [this biography] exposes the character of an artist who maintained a sharply defined duality between his public and private personas."—Edward J. Sozanski, Philadelphia Inquirer

"Brombert's reading of important canvasses . . . shine, as do her accounts of the changing social and political environment in which Manet worked. . . . Well researched, complexly conceived, and clearly written."—Kirkus Reviews

"Brilliant . . . [this book] grants us a far deeper understanding of why [Manet's] paintings outraged so many of his peers, and why these same masterpieces resonate so richly in our psyches a century later."—Booklist, starred review

Pierre Bourdieu 《藝術的法則 》《馬內的象徵革命：藝術場域的誕生》：《情感教育》

Eunice Lipton - 化名奧林匹亞
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Title, 化名奧林匹亞 ; Author, Eunice Lipton ; Publisher, 遠流出版事業股份有限公司, 1996 ; ISBN, 9573231298, 9789573231295 ; Length, 155 pages.

Manet’s 1863 painting “Olympia,” in the collection of the Musée d’Orsay in Paris, will be the focal point of “Manet/Degas,” one of the Metropolitan Museum of Art’s major fall exhibitions.Credit...Musée d’Orsay

上個月，人類學家詹姆斯·費爾黑德 (James Fairhead) 展示了 1869 年報紙採訪中一位紅發法國舞者出現在紐約舞台上的驚人發現。一位有進取心的製片人從巴黎帶她到百老匯綜藝節目中表演康康舞，她的名字叫維克多琳·莫蘭 (Victorine Meurent)。

馬奈最著名的模特似乎是在 1868-69 年隨喜歌劇團巡演美國。在曼哈頓經歷了一場醜聞的首演之夜後（這對她來說一定有似曾相識的感覺），《澤西城晚報》的一名記者來到劇院接受采訪。 “她很謙虛，”這份重新發現的檔案報導說，“懂很多英語，很有智慧。”在她的更衣室裡，默朗在康康舞曲之間“正在臨摹我們最優秀的美國藝術家之一的水彩畫；而且副本比原件更好。”她已經吸收了現代生活的形象，並將其帶到了紐約。

“Olympia” in her usual spot at the Musée d’Orsay, framed by two other paintings by Manet. “Manet/Degas” opens at the Met on Sept. 24.Credit...Sophie Crépy

By Jason Farago

Sept. 9, 2023

Titian’s “Venus of Urbino,” one of Manet’s main inspirations. 

And on Sept. 24, “Olympia” arrives in New York, as the focal point of “Manet/Degas,” the Metropolitan Museum of Art’s momentous fall exhibition of two city boys and the modern capital they painted.

“Manet/Degas” at the Metropolitan Museum of Art. This momentous fall exhibition centers on the two artists and the modern capital they painted: Paris. The focal point of the show is Édouard Manet’s “Olympia,” the 1863 painting of a brothel scene that birthed modern art.

“Manet/Degas,” which maps how two very different artists built off each other’s examples to haul painting into a new age. The show is also a profound interlacing of two great museum collections, which each needed the other to reckon fully with the emergence of modern French painting. Nearly half of the show’s 160 works by Manet or Degas — this is a stunning fact — belong either to the Met or the Orsay.

The 19th Century’s Most Scandalous Painting Comes to New York

“Olympia,” the brothel scene that birthed modern art, crosses the Atlantic for the first time in the Met exhibition “Manet/Degas.”

Pierre Bourdieu 《藝術的法則 》《馬內的象徵革命：藝術場域的誕生》：《情感教育》Evacuations in Towns and Villages South of Paris等等和林南的一些書

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張己任：盤帶欣賞會，、傳奇的指揮富特范格勒(Furtwamgler）、傳奇的貝多芬第九交響曲演出錄音(1951年在拜魯特（Bartruth))！《談樂錄》《西洋音樂風格的演變》《音樂，人物與觀念》《張己任說音樂故事》《江文也：荊棘中的孤挺花》等