0728 2017 五

那一代繪畫大師之間的友情
1936~37年，Paul Klee (1879-1940)流年不利，既知自己罹重症，又給納粹沒收12幅畫，1937年在"墮落的藝術展"亮相。Klee 回瑞士的Bern沉隱。
1937年， Pablo Picasso (1881–1973)和 Georges Braque (1882–1963)聯袂來訪，他倆是Klee在1912年訪問巴黎時認識的。紀錄上，當年Ernst Ludwig Kirchner (1880-1938)也訪問 Paul Klee。

Georges Braque: Within Reach of the Hand
Lecture by Karen Wilkin, an independent curator and art critic, New York

Georges Braque: Within Reach of the Hand

Lecture by Karen Wilkin, an independent curator and art critic, New York "I began to paint mainly still lifes," Georges Braque said, "because in nature there...

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Georges Braque: Within Reach of the Hand

Lecture by Karen Wilkin, an independent curator and art critic, New York
https://www.youtube.com/watch?v=1jEMvJQcI-I


"I began to paint mainly still lifes," Georges Braque said, "because in nature there is a tactile space, I'd say almost a manual space." The many still lifes by Braque in The Phillips Collection, made between 1914 and 1952, attest to his life-long fascination with the motif. The changes in his approach over the years offer fresh revelations about this celebrated but still little-understood modernist giant.

那一代繪畫大師之間的友情

In the same year (1937:墮落藝術展12件Klee) , however, Pablo Picasso (1881–1973), Georges Braque (1882–1963), and Ernst Ludwig Kirchner (1880-1938) visited Paul Klee (Bern1879-1940；1912 訪Paris)



台灣和民主國家內部的權鬥是明爭，中國及威權國家內部的權鬥是暗鬥，我們慶幸台灣已是明爭的國家──權力不能濫用，政策基本透明，人權受保障，沒有黯黑勢力迫害民眾自由與人權，也不必對新領袖表態效忠。看看相對於波詭雲譎的19大，就知道差別有多大了。 

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