Quoted in THE ARCHITECTURE of MEMORY: A Jewish-Muslim household in colonial Algeria, 1937-1962 By Joëlle Bahloul, La maison de memorie (1992), translated Cambridge University Press, 1996
《佛洛伊德傳》 廖運範譯 ，台北:志文， 1969
本書含兩部分：《佛洛伊德的自敘傳》，pp.7-86、Ernest Jones 著《佛洛伊德的一生》，pp.87-194；L. Trilling《評介佛洛伊德》pp.195-206；《年譜》，pp.207-225
佛洛伊德自述偶有些感人的軼事，是Peter Gay的傳記中沒收入的。譬如說在與哲學家William James 散步時，James 夾心症發作，要Freud 先走，他隨後就趕上 (頁59)。"他於一年後因夾心症逝世，我經常希望我能像他那樣，面對逼近的死神能毫無懼色。"
《佛洛伊德傳》By Peter Gay 精彩的地方在：傳主人生關鍵處的"自敘"中，提出其分析和批評：
看了1.5部電影。公視：Renoir (2012 French)音樂、景色好；這是讀過Jean的傳記無法知道的故事。裸體之處理煞風景。
47 Ronin (2013)「忠臣蔵」的擴大新版歷史小說---有虛儗人物當主角。
Pierre Auguste Renoir 部分
The Côte d'Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden - and in the face of his father's fierce opposition - he falls in love with this wild, untameable spirit... and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.
Set on the French Riviera in the summer of 1915, Jean Renoir -- son of the Impressionist painter, Pierre-Auguste -- returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.
Renoir is a 2012 French drama film based on the last years of Renoir at Cagnes-sur-Mer during World War I. The film was directed by Gilles Bourdos and competed in theUn Certain Regard section at the 2012 Cannes Film Festival. Renoir achieved critical and commercial success both in France and abroad, most notably in the United States where it is on the Critic's Pick list of The New York Times The film was selected as the French entry for the Best Foreign Language Film at the 86th Academy Awards, but was not nominated. In January 2014, the film received four nominations at the 39th César Awards, winning for Best Costume Design.
|Directed by||Gilles Bourdos|
|Produced by||Olivier Delbosc|
|Written by||Jérome Tonnerre|
|Music by||Alexandre Desplat|