Recita il proverbio “non est aurum quod radiat”.
La vera ricchezza spesso si nasconde dietro a quello che non ti aspetti.
"Non è oro tutto ciò che luccica.
Te
l'hanno detto spesso e sai che molti
La vita hanno venduto per vedere
Di me solo l'esterno.
Vermi contengono le tombe dorate.
Se saggio fossi stato quanto audace,
Vecchio nel giudizio quanto nel corpo
Giovane, nessuno questa risposta
Avrebbe scritto. Addio.
Fredda è la tua richiesta." (William Shakespeare - Il mercante di Venezia)
"Non sempre le cose sono come sembrano, il loro primo aspetto inganna molti: di rado la mente scopre che cosa è nascosto nel loro intimo." (Fedro)
Lorenzo Lippi - Allegoria della Simulazione
The proverb “non est aurum quod radiat” recites.
True wealth often hides behind what you don't expect.
"All that glitters is not gold.
They have told you often and you know that many
Life they sold to see
Only the outside of me.
Worms contain the golden graves.
Had I been as wise as bold,
As old in judgment as in body
Young, no one this answer
He would write. Goodbye.
Cold is your request." (William Shakespeare - The Merchant of Venice)
"Things are not always as they seem, their first appearance deceives many: the mind rarely discovers what is hidden in them." (Phaedrus)
Lorenzo Lippi - Allegory of Simulation
諺語“non est aurum quod radiat”背誦。
真正的財富往往隱藏在意想不到的背後。
“所有閃光的不都是金子。
他們經常告訴你，你知道很多
他們出賣的生活
只有我的外面。
蠕蟲包含金色的墳墓。
如果我像勇敢一樣聰明，
判斷力和身體一樣老
年輕，沒有人這個答案
他會寫。 再見。
寒冷是你的要求。”（威廉莎士比亞 - 威尼斯商人）
“事情並不總是像他們看起來的那樣，他們的第一次出現會欺騙很多人：頭腦很少會發現隱藏在其中的東西。” （斐德羅）
洛倫佐·里皮 - 模擬寓言
面具的研究，比較人類學家等看法
川端康成 山之音
中國蘭陵面具
兰陵王在历史上是个出了名的美男子，传闻他在战场上所向披靡，让敌人闻风丧胆，但是脸蛋却俊美的像个女孩子，所以才不得不整日带着狰狞的面具示人，
在這些蘭陵王面具的面具類型有鬼臉、恐怖、惡棍搞笑、動物和陶瓷等多種，在蘭陵王面具的適用性別有通用、情侶、男、女和兒童等多種，在蘭陵王面具的大小有L、S、M、XL和 .
威尼斯嘉年華
而向來走華麗風格的威尼斯面具，通常是以金、銀、和多彩的巴洛克裝飾為主。其中又可分為兩種主要類型：遮蓋全臉的面具Bauta和僅遮掩眼睛的半臉面具Columbina。
https://en.wikipedia.org/wiki/Mask
In China, masks are thought to have originated in ancient religious ceremonies. Images of people wearing masks have been found in rock paintings along the Yangtze. Later mask forms brings together myths and symbols from shamanism and Buddhism.[37]
Three photographs of the same noh mask of a woman show how her expression appears to change with a tilting of the head of the performer - to demonstrate the effect, the mask was affixed to a wall with constant lighting and only the camera was moved
農禪
creative mask
expand the boundaries of Noh’s conservative culture. “Of course, the best masks are those used onstage,” she says, “but I think we should also make Noh masks that can stand on their own.” Japanese literature with monologues, sparse bamboo flute melodies, periodic percussion and tonal chanting. Often, supernatural beings take human form. The pace can be almost hypnotically slow, with the colors and elaborate embroidery of the actors’ costumes indicating their characters’ age and status.
But perhaps the most distinguishing feature of Noh is the carved masks worn by performers. Of the hundreds of masks produced during the Muromachi period, about 40 to 50 form the archetypes for the masks made today, says the historian Eric Rath, who specializes in premodern Japan; many represent different characters, depending on the play. Master mask carvers have long been celebrated for their ability to create a static face that seems to come alive, its expression changing with the angle of the performer’s head and the way the light hits its features. While many Japanese people today have never seen a live Noh performance, the white visage and red lips of a Ko-omote mask (one of a few denoting a young woman) or the bulging golden eyes of the horned Hannya (one of the most famous of the demon masks, representing a wrathful, jealous woman) are both intrinsic to Japan’s visual culture.
The artist
Shuko Nakamura at her home in Tokyo, wearing her “Migawari no Ki” (2020) mask.
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MAKING IT
The Female Artisans Honoring, and Reinventing, Japanese Noh Masks
In taking on the male-dominated theatrical craft, contemporary women carvers are changing the face of a centuries-old tradition.
The artist Shuko Nakamura at her home in Tokyo, wearing her “Migawari no Ki” (2020) mask.
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