從 "女力" 專欄 到"文人故居專欄：1. 喬治桑 George Sand、森鷗外 (永井荷風) ； 武者小路實篤、 Belmont John Fowles"，再到"木林森專欄 (2023)： 生命之樹。從《觀自在》(小倉游龜 )到 《樹根》 (東山魁夷)......"

 

文人故居專欄：1. 喬治桑 George Sand、森鷗外 (永井荷風) ； 武者小路實篤、 Belmont John Fowles

木林森專欄 (2023)： 生命之樹。從《觀自在》(小倉游龜 )到 《樹根》 (東山魁夷)

Whitney Museum of American Art 

On International Women's Day today, we're honoring our founder Gertrude Vanderbilt Whitney.

In the beginning of the twentieth century, Mrs. Whitney—a sculptor herself—saw that American artists with new ideas had trouble exhibiting or selling their work. She began purchasing and showing their artwork, eventually becoming the leading patron of American art from 1907 until her death in 1942.

In 1914, Mrs. Whitney established the Whitney Studio in Greenwich Village, and by 1929 she had assembled a collection of more than 500 pieces. After her offer of this gift to the Met was declined, she set up her own institution, one with a distinctive mandate: to focus exclusively on the art and artists of the US. This year, the Whitney will celebrate its 92nd anniversary.

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Edward Steichen, Mrs. Harry Payne Whitney for "Vanity Fair", 1931. Gelatin silver print, 9 15/16 × 7 15/16 in. (25.2 × 20.2 cm). Whitney Museum of American Art, New York; gift of Richard and Jackie Hollander in memory of Ellyn Hollander 2012.238. © The Estate of Edward Steichen / Artists Rights Society (ARS), New York

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