2月6日 (初六)今昔 (1) : 葛哈·李希特( Gerhard Richter) 90 大壽: “Art is the highest form of hope.” Gerhard Richter in "Germany: Memories of a Nation". 禮拜天美術神遊 (33)
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女兒Betty的萬象
德國最古老教堂彩色玻璃窗
Gerhard Richter, who turned 90 on February 9, is the subject of shows across three cities in his home country.
Author | Neil MacGregor |
---|---|
Country | United Kingdom |
Language | English |
Subject | History of Germany |
Published | London |
Publisher | Allen Lane; Penguin Books |
Publication date | 2014 |
Pages | 598 |
ISBN | 978-0-241-00833-1 (Hardcover) |
943 |
Gerhard Richter turns 90 years old! The German artist is a driving force in the art world, and one of the most expensive artists alive.
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2020.8.25
Gerhard Richter is set to design a trio of windows for the Benedictine Tholey Abbeya. New Movie Based on His Life,Gerhard Richter: The Painter Without a Brush. 1987
New Stained Glass Is Coming to Germany’s Oldest Monastery
Gerhard Richter is set to design a trio of windows for the Benedictine Tholey Abbey
By Meilan Solly
smithsonian.com
Read more: https://www.smithsonianmag.com/smart-news/gerhard-richter-set-design-stained-glass-germanys-oldest-monastery-180972986/#BXHQSk8rMwDDThFg.99
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The great artist turns 85 today.
8 Words of Wisdom From Gerhard Richter on His Birthday
Eight inspiring quotes by the great German painter Gerhard Richter, one of…
ARTNET NEWS
https://news.artnet.com/art-world/gerhard-richters-birthday-846296
1. On the purpose of art
“Picturing things, taking a view, is what makes us human; art is making sense and giving shape to that sense. It is like the religious search for God.”
“Picturing things, taking a view, is what makes us human; art is making sense and giving shape to that sense. It is like the religious search for God.”
2. On the nature of reality
“I don’t mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed.”
“I don’t mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed.”
3. On painting and passion
“One has to believe in what one is doing, one has to commit oneself inwardly, in order to do painting. Once obsessed, one ultimately carries it to the point of believing that one might change human beings through painting. But if one lacks passionate commitment, there is nothing left to do. Then it is best to leave it alone. For basically painting is total idiocy.”
“One has to believe in what one is doing, one has to commit oneself inwardly, in order to do painting. Once obsessed, one ultimately carries it to the point of believing that one might change human beings through painting. But if one lacks passionate commitment, there is nothing left to do. Then it is best to leave it alone. For basically painting is total idiocy.”
4. On having an artist community
“Contact with like-minded painters—a group means a great deal to me: nothing comes in isolation. We have worked out our ideas largely by talking them through. Shutting myself away in the country, for instance, would do nothing for me. One depends on one’s surroundings. And so the exchange with other artists—and especially the collaboration with Lueg and Polke—matters a lot to me: it is part of the input that I need.”
“Contact with like-minded painters—a group means a great deal to me: nothing comes in isolation. We have worked out our ideas largely by talking them through. Shutting myself away in the country, for instance, would do nothing for me. One depends on one’s surroundings. And so the exchange with other artists—and especially the collaboration with Lueg and Polke—matters a lot to me: it is part of the input that I need.”
5. On truth
“Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.”
“Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.”
6. On art and religion
“Art is not a substitute religion: it is a religion (in the true sense of the word: ‘binding back,’ ‘binding’ to the unknowable, transcending reason, transcendent being). But the church is no longer adequate as a means of affording experience of the transcendental, and of making religion real—and so art has been transformed from a means into the sole provider of religion: which means religion itself.”
“Art is not a substitute religion: it is a religion (in the true sense of the word: ‘binding back,’ ‘binding’ to the unknowable, transcending reason, transcendent being). But the church is no longer adequate as a means of affording experience of the transcendental, and of making religion real—and so art has been transformed from a means into the sole provider of religion: which means religion itself.”
7. On artists
“Now there are no priests or philosophers left, artists are the most important people in the world.”
“Now there are no priests or philosophers left, artists are the most important people in the world.”
8. On art itself
“Art is the highest form of hope.”
“Art is the highest form of hope.”
2008
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