7.14
強國的超級公司可以請大名人當門神，可惜大帝另有打算。
中國近年極盡侮辱英國之能事，總有反作用的一天。
UKISLANDRACE.BLOGSPOT.COM
****
Louvre Abu Dhabi - Wikipedia
en.wikipedia.org › wiki › Louvre_Ab...
The Louvre Abu Dhabi is an art and civilization museum, located in Abu Dhabi, United Arab Emirates. The museum is located on the Saadiyat Island Cultural District. It is approximately 24,000 square metres (260,000 sq ft) in size, with 8,000 ...
Location: Saadiyat Island, Abu Dhabi
Architect: Jean Nouvel
Collection size: 35,000
Deputy Director: Hissa Al Dhaheri
History · Design · Collection · Management
公視hd
阿布達比羅浮宮
節目來源： 外片
播出語言：英
集數：第1集
節目訊息： 首播 /
不可思議播出語言：英
集數：第1集
節目訊息： 首播 /
Hard choices for tech in Hong Kong科技公司決戰香港，中國頂多慘勝......... Facebook won’t turn over Hong Kong user data
年前2019，美國不批准Google的海底電纜拉到香港，只能到台灣......
當時或已知香港不可為了，然而不知道是2020年7月1日。
中國的港區國安法與世界各自由國家為敵，然而，類似美國各科技公司決戰香港，中國頂多慘勝.........
紐約時報簡單分析這讓各國頭痛問題：
HCASIA.BLOGSPOT.COM
Hard choices for tech in Hong Kong科技公司決戰香港，中國頂多慘勝......... Facebook won’t turn over Hong Kong user data
年前2019，美國不批准Google的海底電纜拉到香港，只能到台灣...... 當時或已知香港不可為了，然而不知道是2020年7月1日。 中國的港區國安法與世界各自由國家為敵，然而，類似美國各科技公司決戰香港，中國頂多慘勝......... 紐.....
Henri Cartier-Bresson: Photoportraits ；李懷宇《過眼雲煙》《各在天一涯 ‧探求中國精神史上最繁榮自由的時代》等：陳冠中：用小說來寫世紀的大戲
這本相當精采：李懷宇《各在天一涯 ‧探求中國精神史上最繁榮自由的時代》譬如說，
陳冠中：用小說來寫世紀的大戲
HCBOOKS.BLOGSPOT.COM
Henri Cartier-Bresson: Photoportraits ；李懷宇《過眼雲煙》《各在天一涯 ‧探求中國精神史上最繁榮自由的時代》等
翻過 Henri Cartier-Bresson: Photoportraits ，一定印象深刻：整本書都是人像寫真。可能是1930~70年代部分的文化人。 現在北美館展中，有閻錫山等2人，收入此書。 其他，請查Google的圖象資料庫：使用書名去查。 ****這本是純文字.....
英國疫苗的開發和同步量產，都領先： Britain is well ahead in the race to create a vaccine against covid-19
Scientists at Oxford University are rewriting the rules for how quickly a vaccine can be developed, and in doing so helping Britain win the race to develop a vaccine
ECONOMIST.COM
每日英語：
WORD-WATCHER.BLOGSPOT.COM
stain, insular, unstained, sully, unsullied, make waves, ride the waves/bodysurf. nerve cells could be stained with silver nitrate,
Nobel Prize Camillo Golgi was born on this day in 1843. He was awarded the Nobel Prize in Physiology or Medicine for discovering that nerve...
The Trump administration has formally notified the United Nations of its withdrawal from the World Health Organization, although the pullout won’t take effect until next year. https://to.pbs.org/3gCmuTk
**
PBS NewsHour
WATCH: By withholding information and spreading propaganda as it was fighting the coronavirus, China "destroyed the public trust very much needed at the time," said the editor of China Digital Times, which highlights content suppressed by the government. #InsideChina
他何不退出UN？
Hanching Chung
師出無名
Min-te Zhao
他何时师出有名了？
Hanching Chung
美國總統川普執意啟動退出世衛的機制，但他的對手拜登卻馬上表示，如果十一月贏得大選，將立即恢復美國會籍。
Min-te Zhao
呵呵。
Min-te Zhao
别说x国都对，也别说y国都错。没有100%的、有关政治的事。----
不一定是屁股的问题，是执念的问题。反正大家都看不见真正的data。
1978年，系內老師知道我搭火車到數十公里外的英國小鎮去看電影，都覺得不可思議。
---2020的德國故事更可歌泣：
陳思宏在 hackesche höfe kino 。
7 小時 · 德國柏林 ·
來看電影。哭了。
整場只有三個觀眾，隔排才能坐人，入場需要戴口罩，坐下之後可以摘下。每一個角落都有消毒酒精。......
DW.COM
教宗方济各讲稿被删减 闭口不谈香港 | DW | 07.07.2020
据天主教新闻网报道，上周日（7月5日），教宗方济各原本应该在三钟经祈祷结束之后的谈话中谈及香港，但实际在讲话中
蘇錦坤
唯有上帝與良心能刪教宗的稿。
從Gustave Doré 多雷(1832 – 1883) 到《梵谷：在永恆之門》(2018)；THE DAYS OF CHIVALRY；CHAPTER VIII. THROUGH THE FORESTS.
HANCHINGCHUNG.BLOGSPOT.COM
從Gustave Doré 多雷(1832 – 1883) 到《梵谷：在永恆之門》(2018)；THE DAYS OF CHIVALRY；CHAPTER VIII. THROUGH THE FORESTS.
17:14 NOW PLAYING WATCH LATER ADD TO QUEUE 289 續《在永恒之門》- 插畫家古斯塔夫·杜雷（Gustave Doré) HC/John Walsh 33 views 10 months ...
Google翻譯：
If you knew how much love I follow your steps ... with how much love I dry your tears ... with how much love I take you by the hand so that you don't fall .... ... with how much love I look at your gaze which is sometimes so sad and he can't see the light. ... If you only knew how much I suffer from the bitterness of life with you I would like to caress you with meat hands ... but I whisper it to those around you ... I would like to tell you the truest words of love, but I suggest it to anyone who gives you a word. I would like to see you gather all the love that you sow to feel satisfied with your life but like everything ... time will let the fruit grow that you yourself were born. Rejoice because through your hands I give love to those who are lucky enough to meet you. Paul Claudel French poet. (1868 - 1955) France Painting - Sandro Botticelli (details)
Дафина Йотова
RENAISSANCE ART AND ARCHITECTURE
21 小時 ·
Grazia Arigò
昨天下午6:25 ·
Se tu sapessi con quanto amore
seguo i tuoi passi
... con quanto amore
asciugo le tue lacrime
... con quanto amore
ti prendo per mano affinché tu non cada
....
... con quanto amore guardo il tuo sguardo
che a volte è così triste
e non ce la fa a vedere la luce.
...
Se solo sapessi quanto soffro insieme a te dell’amaro della vita
Vorrei accarezzarti con mani di carne…
ma lo sussurro a chi ti sta accanto…
vorrei dirti le parole più vere dell’amore,
ma lo suggerisco a chi ti regala una parola.
Vorrei vederti raccogliere tutto l’amore
che semini
per sentirti soddisfatto della tua vita
ma come ogni cosa…
il tempo lascerà crescere il frutto
che tu stesso hai fatto nascere.
Gioisci perché attraverso le tue mani
io regalo l’amore a chi ha la fortuna di incontrarti.
Paul Claudel
Poeta Francese.
(1868 - 1955) Francia
Dipinto - Sandro Botticelli (dettagli)
標普全球市場財智（S&P Global Market Intelligence）的數據顯示，中芯國際股價基於明年預期利潤的市盈率為99倍，位居估值最昂貴晶片股之列。
相比之下，台積電市盈率為19倍。
投資者可能需要考慮適當獲利了結。
這是政策宣導。紐約時報前天說，美國有"工具"讓中國很難過的，只是總統不見得採用
美国之音中文网
美国国务卿蓬佩奥对中国当局在香港推行言论审查行为做出严厉的抨击。他批评中国采取奥威尔式举措，利用港版国安法审查香港社运人士、学校与图书馆。
https://www.voachinese.com/a/5493305.html
華為的英國董事長布朗（John Browne）是中國駐英副大使？
THESTANDNEWS.COM
華為英國董事長警告倫敦：被禁參與 5G 建設 或危及中英關係 | 立場報道 | 立場新聞
華為的英國董事長布朗（John Browne）警告，若英國應美國要求，禁止華為參與建設當地 5...
英国外交大臣6日反驳了中国指责英国在香港国安法问题上“粗暴干涉中国内政的”的说法。他说，“这是一个信任的问题，世界上很多国家都在问这个问题：中国是否履行了它的国际义务？“
https://bit.ly/3f5mf2X
By highlighting dramatic increases in deaths among immigrants born in Africa and Asia, the research helps fill some of the gaps in France’s understanding of its minority communities.
PBS.ORG
Study shows virus hit African immigrants hardest in France
A new study from the French government's statistics agency shows that death rates doubled among immigrants from sub-Saharan Africa and tripled in the Paris region at the height of the country's coronavirus outbreak.
第一次看到這種照片，像"邪教"嗎？
TWREPORTER.ORG
【精選書摘】《大熊貓的利爪》：中國學聯、孔子學院，中共如何從教育滲透加拿大？ - 報導者 The Reporter
吳介民
中國大外宣證據浮出！
美國司法部一份文件顯示，中國日報China Daily過去四年來大撒幣，在美國主流大報投入刊登業配文、或營運合作等等費用。
這些有名的大媒體，過去形象都相當好，包括華盛頓郵報、華爾街日報、波士頓環球報，請仔細瞧瞧文件內的名單：
https://efile.fara.gov/docs/3457-Amendment-20200601-2.pdf
VOA的報導在此：US Spending Report Sheds Light on China’s Global Propaganda Campaign By Mo Yu
June 26, 2020 https://reurl.cc/X6nW4a
英國衛報曾經刊登一篇長文，分析中國大外宣怎麼在全球「說好中國故事」https://reurl.cc/8Gm3Wd
至於中國收買台灣媒體的報導很多，監察院早在2010年就曾調查過置入性行銷，發佈調查報告，並糾正馬政府時代的陸委會。
這地球上某些區的人民之活力、創造力等頗高，理應有權要求最高等的自由，不做次級霸權的奴隸。香港、Catalonia.....
Antoni Tàpies (1923 – 2012)、The Artist and the Photograph： 大藝術家與照相：Picasso, Mir, Dali, and Tpies
HCCART.BLOGSPOT.COM
Antoni Tàpies (1923 – 2012)、
Antoni Tàpies
(*)Youth and education
1923
Born in Barcelona on the 13 December, son of Josep Tàpies Mestres and Maria Puig Guerra. During his early childhood, Tàpies lived in a cultural and social environment marked to a considerable extent by his father’s friendship with leading figures in Catalan public life and in the Catalanist republicanism of the time and by the intense civic and political activity of his maternal grandfather.
1926-1932
Primary schooling in various Barcelona schools (Colegio de las monjas de Loreto, Escuela alemana and Escuelas Pías).
1934
Begins secondary school. First contact with contemporary art by way of various Catalan publications and, most importantly, the special Christmas issue of the magazine D’ací i d’allà, edited by Josep Lluís Sert and Joan Prats, with texts by Zervos, Foix and Gasch, among others, and reproductions of works by Picasso, Braque, Gris, Léger, Mondrian, Brancusi, Kandinsky, Duchamp, Arp, Miró, etc.
1936-1939
During the Spanish Civil War he continues his studies at the Liceu Pràctic in Barcelona and for a few months is a frequent visitor to the government offices of the Generalitat de Catalunya, where his father works as a legal advisor. Takes up drawing and painting, self-taught. The outcome of the war – defeat of the legitimate democratic government of the Second Republic and beginning of the Franco dictatorship – is to make a profound impression on many aspects of his life and artistic career.
1940
His schooling – first at the Instituto Menéndez y Pelayo and then at the Escuelas Pías once again – is frequently interrupted on account of his delicate health.
1942-1943
Lung disease and lengthy convalescence in Puig d’Olena sanatorium and subsequently in Puigcerdà and La Garriga. Draws and makes copies of Van Gogh and Picasso. He is interested in the history of philosophy. Reads Thomas Mann, Nietzsche, Spengler, Ibsen, Stendhal, Proust, Gide, etc. Develops a taste for Romantic music, especially Wagner and Brahms, and for the aesthetic ideology of Romanticism and German post-Romanticism in general.
1944
Begins a course in Law at the Universitat de Barcelona, which he abandons shortly before taking his degree, the most important legacy of this time being the friendship of some of his fellow students: Carlos Barral, Alfonso Costafreda, Gil de Biedma, Alberto Oliart, Joan Reventós, Josep Maria Castellet, Manuel Sacristán, Josep Maria Ainaud, etc. Spends two months studying drawing at the Academia Valls in Barcelona, where he meets the poet and art critic Josep Maria Junoy, whose influence contributes to his decision to devote himself to art. Various portraits and self-portraits from this year have survived, as well as some drawings influenced by Picasso and Surrealism.
1945
Increasing commitment to painting. First experiments with dense materials, obtained by mixing oil paint with whiting. Interested in the philosophy of Heidegger and Sartre, and in Eastern thought.
1946
Leases a studio in Carrer Diputació in Barcelona for a time. Alongside the primitivist and expressionist works accomplished in that moment are added numerous abstract paintings, characterized by a fundamental interest in the matter and a recurrent use of collage and grattage.
1947
Meets the poet J.V. Foix, leading exponent of the Catalan literary avant-garde prior to the Civil War, with whom he establishes a firm and lasting friendship and shares mutual artistic interests. Also meets the poet Joan Brossa, and Joan Prats (who provides him with friendship and support right from the outset) and other members of the former ADLAN (Amics de l’Art Nou – “Friends of the New Art”), who encourage him in his work. Sebastià Gasch publishes his article “Unos dibujos de Tàpies” in the magazine Destino.
1948
Exhibits at the I Saló d’Octubre in Barcelona (Galeries Laietanes). Co-founds the magazine Dau al Set. Develops a growing interest in Surrealism, psychoanalysis and modern science. Meets Joan Miró, whose work he admires, and the two commence a lifelong friendship. Produces his first etchings in the studio of Enric Tormo.
1949
Exhibits at the II Saló d’Octubre in Barcelona (Galeries Laietanes) and at the show Un aspecto de la pintura catalana, organised by Cobalto 49 at the Institut Français of Barcelona and presented by the poet João Cabral de Melo, then Brazilian consul in Barcelona. In Madrid, he shows works in the Salón de los Once, at the invitation of Eugeni d’Ors. Becomes acquainted with various members of the Club 49, founded that same year: the poet Joan Teixidor, the art historian and critic Alexandre Cirici, the architect Sixte Illescas, Joan Prats, etc.
1950
First solo exhibition in Barcelona (Galeries Laietanes), organized by Josep Gudiol; Juan Eduardo Cirlot writes the catalogue text. A special issue of Dau al Set published to mark the occasion includes Brossa’s “Oracle sobre Antoni Tàpies”; Tharrats’ monograph Tàpies o el dau modern de Versalles is also published. With a grant from the French government, he spends a period in Paris, living and working at number 8, avenue Eugénie in Saint-Cloud. During his stay there he becomes interested in Marxism and closely involved in the controversy surrounding social realism. Exhibits in Pittsburgh, selected for the Carnegie Institute Prize.
1951
Visits Picasso in his studio in rue des Grands Augustins, where he meets Christian Zervos and Jaume Sabartés. In the spring of that year he travels in Belgium and Holland. Influenced by Marxist thinking and concerned about the political situation in Spain, he produces numerous paintings on social themes.
1952
Exhibits at the XXVI Biennale di Venezia, and is again invited to take part (alongside Pierre Alechinsky, Jean Dubuffet, Tal Coat, Ben Nicholson, Karel Appel, Franz Kline, Willem de Kooning and Robert Motherwell, among many others) in the Carnegie Institute show in Pittsburgh. Another solo exhibition in Barcelona (Galeries Laietanes).
1953
First solo exhibition in the USA (Marshall Field and Company, Chicago). Travels to New York for his exhibition at the Martha Jackson Gallery; acquires a greater understanding of American abstract expressionism, in which he discovers affinities and correspondences with his own work. Resumes the investigations into materials he began eight years earlier, working with earth, collages, incisions, etc. In Madrid for his exhibition at the Galerías Biosca, he meets Vicente Aleixandre. Receives a prize at the II Bienal de São Paulo.
1954
Another solo exhibition in Barcelona (Galeries Laietanes). Takes part in the XXVII Biennale in Venice, the 64th Annual Exhibition of the Nebraska Art Association and the exhibition Reality and Fantasy 1900-1954 (Walker Art Center, Minneapolis). He marries Teresa Barba Fàbregas.
1955
Travels to Paris, where he meets the poet and critic Édouard Jaguer, who invites him to take part in the exhibition Phases de l’art contemporain (Galerie R. Creuze). Also meets Michel Tapié, with whose aesthetic thinking he sympathizes. Takes part in the debates on art organised by the Universidad Internacional Menéndez y Pelayo (Santander). Prize from the Republic of Colombia at the III Bienal Hispanoamericana in Barcelona. At the end of the year he takes part in the inaugural exhibition at the Galerie Stadler in Paris. Solo exhibitions in Stockholm, Santander and Barcelona.
© Fundació Antoni Tàpies, Barcelona
(*) via @Galeria Toni Tàpies
The Artist and the Photograph： 大藝術家與照相：Picasso, Mir, Dali, and Tpies
The Artist and the Photograph (英語) ペーパーバック – 2000/10/15 Joan Fontcuberta (著) Imagine that the great Spanish masters-Picasso, Mir...
看吳祖光拍片姻緣(周恩來這"程派"的鼓勵......)，看了京劇和"『荒山淚』程硯秋 侯喜瑞 錢寶森 于世文 (1956) 電影"十來分鐘，猶疑是否能看完......
YOUTUBE.COM
『荒山淚』程硯秋 侯喜瑞 錢寶森 于世文 (1956) 電影
『荒山淚』程硯秋 侯喜瑞 錢寶森 于世文 (1956) 京劇電影
吳祖光"幹校紀事"(詩詞二十首)之
"九月感事"：......翻天覆地真英主，明辨邱毫不識林。"
可能是雙關語：
毛泽东（1893年12月26日－1976年9月9日），字润之，湖南湘潭人
The Artist and the Photograph (英語) ペーパーバック – 2000/10/15 Joan Fontcuberta (著) Imagine that the great Spanish masters-Picasso, Mir...
看吳祖光拍片姻緣(周恩來這"程派"的鼓勵......)，看了京劇和"『荒山淚』程硯秋 侯喜瑞 錢寶森 于世文 (1956) 電影"十來分鐘，猶疑是否能看完......
YOUTUBE.COM
『荒山淚』程硯秋 侯喜瑞 錢寶森 于世文 (1956) 電影
『荒山淚』程硯秋 侯喜瑞 錢寶森 于世文 (1956) 京劇電影
吳祖光"幹校紀事"(詩詞二十首)之
"九月感事"：......翻天覆地真英主，明辨邱毫不識林。"
可能是雙關語：
毛泽东（1893年12月26日－1976年9月9日），字润之，湖南湘潭人
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