 中国年轻人为何爱上“上班恶心穿搭”CLAIRE FU, DAISUKE WAKABAYASHI随着经济增长放缓，机会减少， |
Filmmaker Draws Censors’ Wrath: ‘A Price I Have to Accept’
Wang Xiaoshuai is among the few Chinese artists who refuse to bend to state limitations on the subjects they explore.
Wang Xiaoshuai | |
|---|---|
王小帅 | |
 Wang Xiaoshuai at the Berlinale 2019 | |
| Born | May 22, 1966 |
| Alma mater | Beijing Film Academy |
| Occupation(s) | Film director, screenwriter, actor, film producer |
| Years active | 1993-present |
| Movement | Sixth Generation |
| Awards | Golden Alexander 1993 - The Days Silver Bear - Jury Grand Prix 2001 - Beijing Bicycle Jury Prize 2005 - Shanghai Dreams Silver Bear for Best Screenplay 2008 - In Love We Trust |
| Chinese name | |
| Traditional Chinese | 王小帥 |
| Simplified Chinese | 王小帅 |
As director[edit]
| Year | English title | Chinese title | Pinyin | Notes |
|---|---|---|---|---|
| 1993 | The Days | 冬春的日子 | Dōng chūn de rì zì | |
| 1997 | Frozen | 极度寒冷 | Jí dù hán lěng | Made under the pseudonym Wu Ming |
| 1998 | So Close to Paradise | 扁担·姑娘 | Biǎn dān, gū niáng | Also known as Ruan's Song |
| 1999 | The House | 梦幻田园 | Mèng huàn tián yuán | Also known as Suburban Dreams or Fantasy Garden |
| 2001 | Beijing Bicycle | 十七岁的单车 | Shí qī suì de dān chē | |
| 2002 | The New Year | Part of the Korean anthology film, After War | ||
| 2003 | Drifters | 二弟 | Èr dì | |
| 2005 | Shanghai Dreams | 青红 | Qīng hóng | |
| 2008 | In Love We Trust | 左右 | Zuǒ yòu | |
| 2010 | Chongqing Blues | 日照重慶 | Rìzhào chóngqìng | |
| 2011 | 11 Flowers | 我十一 (stylized as 我11) | Wǒ shíyī | |
| 2014 | Red Amnesia | 闖入者 | Chuǎngrù zhě | |
| 2018 | Chinese Portrait | 我的镜头 | Wǒ de jìngtóu | |
| 2019 | So Long, My Son | 地久天长 | Dì jiǔ tiān cháng | |
| 2022 | The Hotel | 旅馆 | Lǚguǎn | Premiering at the Toronto International Film Festival in Sept 2022 |
| 2024 | About the Dust | 沃土 | Wòtǔ | Premiering at the 74th Berlin International Film Festival in February 2024 |
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