最後周末三片只看晚上候麥作品，巴黎之景，走投無路。繆詠華譯。據說最近的火上 也是她翻譯的。
➤➤ 臺大電影節．最後一日放映：《爵士春秋》、《雙姝情緣》、《拿破崙炸藥》
⚠️本次放映之《雙姝情緣》為「法語發音且僅有英語字幕」，敬請見諒。電影內容多為日常口語對白，仍誠摯邀請有興趣之觀眾前來觀影
➤➤ 臺大電影節．明日放映：《瘋狂店員》、《青樓怨婦》
⚠️本次放映兩部均為限制級🔞，請欲前來之觀眾備妥身分證件，以利入場查驗！
⚠️放映須知 地點｜臺灣大學第一活動中心怡仁堂
𝟏.放映活動皆為免費入場，不須事先劃位、不限臺大學生
𝟐.電影開演前 𝟮𝟬 分鐘開放入場
𝟑.放映後 𝟮𝟬 分鐘不再開放入場
𝟒.怡仁堂場內禁止飲食💦💋🙅
𝟓.手機請調為靜音或關機🔇
𝟔.觀影過程中請避免交談、唱歌、與他人擦撞💢
▸𝟎𝟑.𝟏𝟓 𝐅𝐫𝐢.
𝟏𝟐:𝟒𝟎《瘋狂店員》 𝑪𝒍𝒆𝒓𝒌𝒔
凱文．史密斯 Kevin Smith︱美國︱1994︱B&W︱92分︱限制級
🏆𝟏𝟗𝟗𝟒 坎城影展 青年導演獎
但丁，22歲，社區便利商店收銀員，不肯念大學。藍道，但丁的死黨，隔壁RST錄影帶出租店店員，但自己都去Big Choice錄影帶出租店租片。江湖人稱奧客殺手，營業期間一定在便利商店裡跟但丁打屁聊天。某天，社畜但丁的雷包同事裝病蹺班，慣老闆立刻把休假中的但丁Call來代班。然而，隨著時間過去，一切開始瘋狂失控⋯⋯。
Cult片鬼才凱文．史密斯最狂低成本處女作，黑白影像配上辛辣臺詞，ㄎㄧㄤ出新高度，更立下諷刺喜劇不敗經典地位。三十年後回首，笑鬧間的價值批判依然生猛有力，不容錯過。
𝟏𝟖:𝟑𝟎《青樓怨婦》 𝑩𝒆𝒍𝒍𝒆 𝒅𝒆 𝑱𝒐𝒖𝒓 ❇︎本場次有映後講座
路易斯．布紐爾 Luis Buñuel︱法國、義大利︱1967︱Color︱100分︱限制級
🏆 𝟏𝟗𝟔𝟕 威尼斯影展 最佳影片金獅獎
來自中產階級的醫師娘 Séverine 早已不滿無趣的婚姻關係，因此平日便會在腦內展開各式性幻想。而在強烈慾望驅使下，她跨出想像、走入妓院，成為只在白日接客的 “Belle de Jour”。當幻想與現實逐漸交錯， Séverine 又會如何面對虛與實的矛盾，以及回應自我的慾望呢？
本片改編自 Joseph Kessel 的同名小說，由西班牙電影大師 Luis Buñuel 帶領觀眾一窺當時中產階級的樣貌，一探六零年代社會的多樣情慾。
➤➤ 映後講師介紹：陳穎
本名陳瑄，於台師大、東吳大學及世新大學教授英美文學、文化研究及翻譯，台灣女性影像學會現任理事，曾任台灣國際女性影展客座選片人，並為台灣國際酷兒影展選片多年。
♬*✿₊･ 𝟘𝟛/𝟙𝟙 ── 𝟘𝟛/𝟙𝟟 **✭˚✧
臺大電影節 𝐍𝐓𝐔 𝐌𝐨𝐯𝐢𝐞 𝐅𝐞𝐬𝐭
⠀ 欸！你怪可愛的
免費入場．自由入座
封面劇照來源：《青樓怨婦》
主視覺 ｜許浩維
策展小組｜陳孝祤 魏芷榆 劉安琪 邱思嘉 謝宛榆 董珈甄 蘇亭蓁
平面設計｜蘇亭蓁
文案行銷｜辛品嫺
#臺大電影節 #欸你怪可愛的 #NTUmoviefest #青樓怨婦 #瘋狂店員
深導演Joe Gideon，正在排練著新的百老匯劇目，同時剪接他的新電影。然而工作狂的他，個人生活卻是充滿酒精、菸、性愛，健康狀況逐漸亮起紅燈。究竟這位傳奇導演會做出什麼樣的決定，又會導向什麼樣的結局呢？
讓我們在炫目耀眼的畫面中，與主角共同穿梭於幻想與真實。在迷人的爵士樂中，一睹這部鮑伯．佛西的半自傳電影，以及他那悲喜交加的人生。
𝟏𝟓:𝟒𝟎《雙姝奇緣》 𝑭𝒐𝒖𝒓 𝑨𝒅𝒗𝒆𝒏𝒕𝒖𝒓𝒆𝒔 𝒐𝒇 𝑹𝒆𝒊𝒏𝒆𝒕𝒕𝒆 𝒂𝒏𝒅 𝑴𝒊𝒓𝒂𝒃𝒆𝒍𝒍𝒆。艾力．侯麥 Éric Rohmer︱法國︱1987︱Color︱99分︱普遍級
🏆𝟏𝟗𝟖𝟖 多倫多國際影展
原文片名直譯為「Reinette和Mirabelle的四段冒險」，全片照時間順序可切分成四個小巧的段落，描繪兩名性格、生長背景相差甚遠的女孩相識、相知、相惜的過程，透過兩名女孩待人處事的差異，呈現出看待世界的各種可能。
本片透過曲折情節引人思考善惡的真實與矛盾：單純的Reinette被誤認成奧客而被刁難、在車站釋出善意卻被人騙走金錢；而Mirabelle面對不講理的服務生和超市慣竊時，則採取了某種「以牙還牙」的作法。侯麥將善惡的嚴肅討論細膩包裹進兩名女孩的日常中，並結合無傷大雅的幽默，讓人會心一笑。
佳美 96 臺大電影節 2024
𝟏𝟖:𝟑𝟎 《拿破崙炸藥》 𝑵𝒂𝒑𝒐𝒍𝒆𝒐𝒏 𝑫𝒚𝒏𝒂𝒎𝒊𝒕𝒆 ❇︎本場次有映後講座
傑瑞．海斯 Jared Hess︱美國︱2004︱Color︱96分︱普遍級
🏆 𝟐𝟎𝟎𝟒 日舞影展
厭世高中生「拿破崙炸藥」頂著一頭爆炸捲髮與書呆子外型，在學校格格不入的他和魯蛇哥哥、叔叔以及駱馬蒂娜一起生活，直到轉學生佩德羅與推銷員同學黛比出現，怪咖拿破崙的平凡日常終於有了改變。面對即將到來的學生會長選舉，拿破崙炸藥使出渾身解數，該如何讓好友佩德羅成功當選？
曾於金馬奇幻影展「影迷許願池」單元放映，非典型美式校園青春喜劇，最可愛的怪咖群像，尬到極致的台詞已然成為影迷間的經典。怪到沒朋友？尷尬又如何？邀請觀眾拋開世俗眼光、舞出自我，一同進入拿破崙炸藥的異想世界。
➤➤ 映後講師介紹： 倪瑞宏 Jui Hung Ni
倪瑞宏是來自台灣，臺北出生，目前也工作在臺北。2017年畢業於臺北藝術大學美術研究所，主修複合媒體。
有「中華仙女」之稱的藝術家倪瑞宏，為台灣知名的跨領域創作者，創作橫跨插畫、裝置藝術、作家和女性議題研究的田野調查，其靈感常來取材台灣次文化或過去的流行文化。她的作品色彩鮮豔大膽，帶有點懷舊並融合台灣日常民間美感，敘事性的作品放入黑色幽默元素，呈現所看到的性別、民間信仰、媒體傳播等各種社會現象嘲解。
作品曾在新加坡ART Stage展出，並入圍2019台北美術獎，2020年出版自傳書《仙女日常奇緣》榮獲2021年台北國際書展非小說類獎，2023年散文圖文書《蓬萊仙山＿悲情夢》獲得openbook好書獎。
目前她正積極投入台灣磁磚釉上彩的探索，期待未來能帶給觀眾更多有趣觀看生活的角度。
♬*✿₊･ 𝟘𝟛/𝟙𝟙 ── 𝟘𝟛/𝟙𝟟 **✭˚✧
臺大電影節 𝐍𝐓𝐔 𝐌𝐨𝐯𝐢𝐞 𝐅𝐞𝐬𝐭
⠀ 欸！你怪可愛的
免費入場．自由入座
封面劇照來源：《爵士春秋》
主視覺 ｜許浩維
策展小組｜陳孝祤 魏芷榆 劉安琪 邱思嘉 謝宛榆 董珈甄 蘇亭蓁
平面設計｜蘇亭蓁
文案行銷｜辛品嫺
#臺大電影節 #欸你怪可愛的 #NTUmoviefest #慾望法則 #獅子星座 #柳媚花嬌
《瘋狂店員》（英語：Clerks）是一部1994年上映的美國黑白黑色幽默喜劇片，由凱文·史密斯執導、監製、編劇和剪輯，這也是他的電影處女作。
該片由布萊恩·歐哈隆所飾演的但丁·希克斯與傑夫·安德森飾演的藍道·葛雷夫斯擔任主演。故事敘述了兩名店員和朋友們的一天，並完全以黑白拍攝；電影的故事是由九個段落組成，如同但丁·阿利吉耶里的《神曲》中有著九層地獄，這也是電影主角但丁的名字由來。
《瘋狂店員》為凱文·史密斯的View Askew宇宙的第一部電影。該片以2萬7575美元的成本主要在紐澤西州拍攝，這也是史密斯的家鄉。《瘋狂店員》於1994年10月19日在美國上映後，共獲得了320萬美元的票房和正面評價；本片為史密斯的成名作，後來《瘋狂店員》更成為了一部邪典電影。
續集《瘋狂店員2》於2006年上映。
| Clerks | |
|---|---|
 Theatrical release poster | |
| Directed by | Kevin Smith |
| Written by | Kevin Smith |
| Produced by |
|
| Starring | |
| Cinematography | David Klein |
| Edited by |
|
Production company | |
| Distributed by | Miramax Films |
Release dates |
|
Running time | 92 minutes |
| Country | United States |
| Language | English |
| Budget |
|
| Box office | $4.4 million[1] |
Clerks is a 1994 American black-and-white comedy film written and directed by Kevin Smith in his feature directorial debut.[2]
Smith also produced and edited the film with Scott Mosier, and it stars Brian O'Halloran, Jeff Anderson, Marilyn Ghigliotti, Lisa Spoonauer, Jason Mewes, Smith and Mosier. It presents a day in the lives of store clerks Dante Hicks (O'Halloran) and Randal Graves (Anderson) as well as their acquaintances. It is the first of Smith's View Askewniverse films, and introduces several recurring characters, notably Jay and Silent Bob (Mewes and Smith respectively).
Clerks was shot for $27,575 in the convenience and video stores where director Smith worked in real life.[2] Upon its theatrical release, it was well received by critics and grossed over $4 million in theaters, launching Smith's career. In 2006, a sequel was released. A third installment was released in 2022.
It is often regarded as a cult classic and a landmark in independent filmmaking. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]
➤➤ 臺大電影節．明日放映：《沙灘上的寶蓮》
⚠️放映須知 地點｜臺灣大學第一活動中心怡仁堂
𝟏.放映活動皆為免費入場，不須事先劃位、不限臺大學生
𝟐.電影開演前 𝟮𝟬 分鐘開放入場
𝟑.放映後 𝟮𝟬 分鐘不再開放入場
𝟒.怡仁堂場內禁止飲食💦💋🙅
𝟓.手機請調為靜音或關機🔇
𝟔.觀影過程中請避免交談、唱歌、與他人擦撞💢
▸𝟎𝟑.𝟏𝟒 𝐓𝐡𝐮. ❇︎本場次有映後講座
𝟏𝟖:𝟑𝟎《沙灘上的寶蓮》 𝑷𝒂𝒖𝒍𝒊𝒏𝒆 𝒂𝒕 𝒕𝒉𝒆 𝑩𝒆𝒂𝒄𝒉
艾力．侯麥 Éric Rohmer︱法國︱1983︱Color︱94分︱輔15級
🏆第 𝟑𝟑 屆柏林影展銀熊獎
夏日的諾曼地海岸邊豔陽明媚，Pauline 與表姐 Marion 前來度假，碰巧遇見 Marion 的舊識 Pierre 與好友 Henri，涉世未深的 Pauline 默默聆聽他們談述各自的愛情觀與人生觀，論辯愛及伴侶間忠誠與束縛的矛盾。
當三位成人陷入複雜的三角戀關係，Pauline 也在沙灘上邂逅同齡男孩 Sylvain，五人之間伴隨著誤會與謊言的產生，展開戲劇性交錯的感情故事。導演侯麥以清新的口吻帶出五人感情發展，並透過帶喜劇感的安排，描繪世故的成年人與青春期少女對愛情抱持的相異看法與期待，敘述成人情愛關係的矛盾，與其如何衝擊 Pauline 對初戀懷有的幻想⋯⋯。
➤➤ 映後講師介紹：塗翔文
淡江大學傳播碩士，曾任台北電影節策展人、金馬獎評審等職，現為台灣藝術大學電影系兼任講師、〈聯合報〉及〈財訊〉影評專欄作者。
著有〈電癮A咖開麥拉〉、〈與電影過招：華語武俠類型電影論〉與最新影評集〈十年影話〉等書，曾以《第四張畫》入圍金馬獎原著劇本，監製《德布西森林》、《可不可以，你也剛好喜歡我》、《大俠胡金銓》等片。
♬*✿₊･ 𝟘𝟛/𝟙𝟙 ── 𝟘𝟛/𝟙𝟟 **✭˚✧
臺大電影節 𝐍𝐓𝐔 𝐌𝐨𝐯𝐢𝐞 𝐅𝐞𝐬𝐭
⠀ 欸！你怪可愛的
免費入場．自由入座
封面劇照來源：《沙灘上的寶蓮》
主視覺 ｜許浩維
策展小組｜陳孝祤 魏芷榆 劉安琪 邱思嘉 謝宛榆 董珈甄 蘇亭蓁
平面設計｜蘇亭蓁
文案行銷｜辛品嫺
#臺大電影節 #欸你怪可愛的 #NTUmoviefest #沙灘上的寶蓮
中產階級拘謹的魅力 The Discreet Charm Of The Bourgeoisie 路易斯·布紐爾 Luis Buñuel
| The Discreet Charm of the Bourgeoisie | |
|---|---|
 Theatrical release poster | |
| French | Le Charme discret de la bourgeoisie |
| Directed by | Luis Buñuel |
| Written by |
|
| Produced by | Serge Silberman |
| Starring | |
| Cinematography | Edmond Richard |
| Edited by | Hélène Plemiannikov |
| Distributed by | 20th Century Fox |
Release dates |
|
Running time | 101 minutes |
| Countries |
|
| Languages |
|
| Budget | $800,000 |
| Box office | $286,916[1] |
The Discreet Charm of the Bourgeoisie (French: Le Charme discret de la bourgeoisie) is a 1972 comedy-drama film directed by Luis Buñuel from a screenplay he co-wrote with Jean-Claude Carrière.[2] The narrative concerns a group of bourgeois people attempting—despite continual interruptions—to dine together. The French-language film stars Fernando Rey, Stéphane Audran, Jean-Pierre Cassel, Paul Frankeur, Delphine Seyrig, Bulle Ogier, Julien Bertheau, and Milena Vukotic.
The film consists of several thematically linked scenes: five gatherings of a group of bourgeois friends, and the four dreams of different characters. The beginning of the film focuses on the gatherings, while the latter part focuses on the dreams, but both types of scenes are intertwined. There are also scenes involving other characters, such as two involving a Latin American female terrorist from the fictional Republic of Miranda. The film's world is not logical: the bizarre events are accepted by the characters, even if they are impossible or contradictory.
Buñuel plays tricks on his characters, luring them toward fine dinners that they expect, and then repeatedly frustrating them in inventive ways. They bristle, and politely express their outrage, but they never stop trying; they relentlessly expect and pursue all that they desire, as though it were their natural right to have others serve and pamper them. He exposes their sense of entitlement, their hypocrisy, and their corruption. In the dream sequences, he explores their intense fears—not just of public humiliation, but of being caught by police and of being mowed down by guns. At least one character's dream sequence is later revealed to be nested, or embedded, in another character's dream sequence. As the dreams-within-dreams unfold, it appears that Buñuel is also playing tricks on his audience as they try to make sense of the story.
The film was both a critical and commercial success. It won the Academy Award for Best Foreign Language Film,[3] and BAFTA Awards for Best Actress in a Leading Role (Audran) and Best Original Screenplay (Buñuel, Carrière).
Plot[edit]
A bourgeois couple, François and Simone Thévenot, accompany François's colleague Don Rafael Acosta, the ambassador from the South American nation of Miranda, and Simone's sister Florence, to the house of the Sénéchals, the hosts of a dinner party. Once they arrive, Alice Sénéchal is surprised to see them and explains that she expected them the following evening and has no dinner prepared. The would-be guests then invite Alice to join them for dinner at a nearby inn.
Arriving at the inn, the party finds it locked. They knock and are reluctantly invited in by a waitress who mentions that the restaurant is under new management. Inside, there are no diners, and the prices on the menu are disconcertingly low. The party hears wailing from an adjoining room and discovers a vigil for the corpse of the manager, who died a few hours earlier. The party is told that the coroner is coming soon, but they hurriedly depart.
Later, at the Embassy of Miranda, Acosta meets with François and Alice's husband Henri to discuss the proceeds of a large cocaine deal. During the meeting, Acosta sees a young woman selling clockwork-animal toys on the footpath outside the embassy. He shoots one of the toys with a rifle and the woman runs off. He explains that she is part of a Maoist Mirandan terrorist group that's been targeting him for months.
Two days later, the bourgeois friends attempt to have lunch at the Sénéchals', but Henri and his wife escape to the garden to have sex instead of joining them. One of the friends take their unexplained absence to mean that the Sénéchals know the police are coming and have left to avoid arrest for their involvement in drug trafficking. The party again leaves in a panic.
When the Sénéchals return from the garden, their friends are gone, but they meet a bishop who has donned their gardener's clothing. They throw him out, but when he returns wearing his bishop's robes, they embrace him with deference. The bishop asks to work for them as their gardener. He tells them about his childhood — that his parents were murdered by arsenic poisoning and that the culprit was never apprehended. (Later in the film, he goes to visit a dying man who turns out to be his parents' murderer; after blessing the man, the bishop kills him with a shotgun.)
The women visit a teahouse just as it has run out of all beverages – tea, coffee, and milk – although it finally transpires that they do have water. While they are waiting, a soldier tells them about his childhood: how after his mother's death his cold-hearted father sent him to military school. The ghost of the soldier's mother informed him that the man was not his real father but his father's killer; they had dueled over his mother. Following the ghost's request, the soldier killed the culprit with poison.
Simone meets Acosta at his apartment. They are having an affair but are interrupted by a visit from her husband, whereupon she makes a convenient excuse and leaves with him. Acosta is next visited by the same terrorist from earlier, who has come to kill him. He ambushes and chastises her, then tells her to leave when she refuses his sexual advances; his agents capture her and take her away.
Several abortive dinner parties ensue; interruptions include the arrival of a group of army officers and enlisted men, who join the dinner only to be called away for alarmingly close military maneuvers, the colonel inviting everyone to his house, only for the revelation that the colonel's dining-room is a stage set in a theatrical performance for an audience that is angry with the actors for not knowing their lines (which turns out to be Henri's dream; which then they later go to the colonel's dinner party, and it's all normal). At the colonel's party, the ambassador gets grilled about his policies in Miranda by everyone there, which leads to the ambassador's shooting of the colonel after he insults the nation of Miranda and slaps the ambassador (which turns out to be the dream of François). The priest/gardener goes to the house of a dying man, which is the man that killed his family. After he confesses to the murder, the priest shoots him with a shotgun. At Alice and Henri's place, they are arrested, to improve the police's public image. During this time, the police electrocute a man by placing him in a piano. The friends are then released by the ghost of the solider's dead dad. The police chief wakes up from the dream that the friends are getting released, and they're actually released by the Interior Minister calling. The film ends with them having dinner at Henri and Alice's house again, where they get their summary execution by the terrorists, who just break into their house. And that is all a dream by Raphael, the ambassador. Most if not all of these scenes turn out to be dream sequences in which ghosts make frequent appearances.
A recurring scene throughout the film, of the six people walking silently and purposefully on a long, isolated country road, is also the final sequence.
Cast[edit]
- Fernando Rey as Rafael Acosta
- Paul Frankeur as François Thévenot
- Delphine Seyrig as Simone Thévenot
- Bulle Ogier as Florence Thévenot
- Stéphane Audran as Alice Sénéchal
- Jean-Pierre Cassel as Henri Sénéchal
- Julien Bertheau as Monsignor Dufour, the Bishop
- Milena Vukotic as Inès, the Sénéchals' maid
- Claude Piéplu as the Colonel
- Maria Gabriella Maione as the female terrorist
- Muni as the peasant
- Michel Piccoli as the Minister of the Interior
- Pierre Maguelon as Brigadier Sanglant
- François Maistre as Commissaire Delecluze
- Jacques Rispal as the Gendarme
- Christian Baltauss as Lt. Hubert de Rochcahin
- Amparo Soler Leal as Rochcahin's mother
- Georges Douking as the gardener
- Maxence Mailfort as the dreaming Sergeant
- Alix Mahieux as the Colonel's wife
- Bernard Musson as the Tea Room waiter
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