175)新潮文庫《100個偉大音樂家 》(1981)、Bryce Morrison《李斯特》(1995)中的李斯特 (Franz Liszt 1811 – 1886) ； 李斯特三首《佩脫拉克十四行詩 "Three sonnets of Petrarch"》。台北懷恩堂週五音樂會(林伶美，2022.9.23)；【YouTube漢清講堂 227 】《喬治‧ 桑與福樓拜 》：Liszt於1837 兩次與Marie d'Agoult (達古爾造)訪喬治桑Sand的Nohant 居
https://www.facebook.com/hanching.chung/videos/637477831338759
https://hcmemory.blogspot.com/2022/09/100-1981bryce-morrison1995franz-liszt.html
38:52
227 《喬治‧ 桑與福樓拜 》 2018-0509 漢清講堂https://www.youtube.com/watch?v=xdUyKDF71qo
slide 70起Nohant (1837成為Sand的財產；女兒；母死.... 訪客：「為主人家的兒子提供榜樣」Flaubert說)：Franz Liszt, 1811~86; 1837 兩次 (與Marie d'Agoult 達古爾 33年初識)；49Frédéric Chopin, 1810~ 49 ; 1839~46(離)：44(妹及妹婿). E. Delacroix 1798~1863; 1842,43, 44,1845G. Flaubert 1821~80; 69~70, 73 」Ivan Turgenev. 1818~83； 1872; 73
懷恩堂週五音樂會
林伶美鋼琴獨奏會
時間: 2022/9/23 7:30pm
林伶美，國立陽明交通大學博雅書院通識教育中心專任副教授。曾榮獲國立陽明大學民國96學年度教學傑出與教學優良獎、109學年特色（通識課程）教學傑出教師、國立陽明交通大學民國110學年度優良教學教師、教育部『97學年度第1學期優質通識教育課程計畫─音樂與生活』之績優計畫獎、陽明大學人文與社會科學院97學年度優良通識教師、教育部『98學年度第2學期優質通識教育課程計畫─音樂語言與表達』之績優計畫獎。
就學期間進入國立臺灣師範大學音樂系就讀後，主修鋼琴，師事周遜寬、王穎，大學畢業後繼續跟隨黃如杏教授修習鋼琴。兩年後笈前往美國費城天普大學（Temple University）進修，主修鋼琴演奏，師事Dr. Charles Abramovic。獲得碩士學位後，同年又獲得北卡羅萊納大學（University of North Carolina）獎學金，繼續攻讀鋼琴演奏博士學位，師事Dr. George Kiorpes。留學期間，除了個人演奏會外，還參加室內樂的演出，擔任教學助教、各項器樂、聲樂、合唱團、與歌劇院的伴奏。1993年12月贏得UNCG協奏曲比賽優勝，並於次年與UNCG管弦樂團合作演出鋼琴協奏曲。1997年4月獲得Pikappa Lambda National Music Honor Society選為榮譽會員，肯定與鼓勵在音樂上的表現與成就。
回國以來，除從事鋼琴教學與演奏活動外，還抱持高度的熱誠與自我期許致力於音樂通識教育。除了在學校開設西洋古典音樂史、歌劇、音樂劇、世界音樂、民謠等通識課程外，還與基督徒南京東路禮拜堂、新月藝術沙龍、桃園文化局、音樂聚等單位受邀合作開設音樂講座，以所學之專業知識推廣音樂，提昇普羅大眾欣賞水準。文字著作方面，著有專書《輝煌時代—倫敦鋼琴學派的音樂與風》(2012)、期刊論文〈音樂通識的教學思維與實踐－以「音樂與生活」課程為例〉(2011)、〈古典與浪漫前期鋼琴前奏曲之研究─歷史定位與風格演變之探討〉(2010)。
三、演出曲目
舒曼：《阿拉貝斯克》，作品18
Schumann: Arabeske, Op. 18
李斯特：《弄臣模擬曲》（改編自威爾第歌劇《弄臣》）
Liszt : Paraphrase on Verdi's Rigoletto, S. 434
李斯特：《骷髏之舞》（改編自聖桑管弦樂曲）
Saint-Saëns / Liszt: Danse Macabre, S. 555
李斯特：三首《佩托拉克十四行詩》選自《巡禮之年II：義大利》
Liszt: Tre Sonetti di Petrarca from Années de pèlerinage - 2ème année: Italie
布拉姆斯：六首鋼琴曲，作品118
Brahms : 6 Klavierstücke, Op. 118
曲目：
《阿拉貝斯克》 作品18 舒曼
Arabeske, Op. 18 Robert Schumann
《六首鋼琴曲》 作品118 布拉姆斯
1、A小調間奏曲 熱情的不很快的快板
2、A大調間奏曲，溫柔的行板
3、G小調敘事曲，活力的快板
4、F小調間奏曲，有點激動的稍快板
5、F大調浪漫曲，行板
6、降E小調間奏曲，悲傷的緩板
6 Klavierstücke, Op.118 Johannes Brahms
1、 Intermezzo in A minor. Allegro non assai, ma molto appassionato
2、Intermezzo in A major. Andante teneramente
3、 Ballade in G minor. Allegro energico
4、Intermezzo in F minor. Allegretto un poco agitato
5、 Romanze in F major. Andante
6、Intermezzo in E♭ minor Andante, largo e mesto
《弄臣模擬曲》選自威爾第的歌劇《弄臣》 李斯特
Paraphrase on Verdi's Rigoletto, S. 434 Franz Liszt
三首《佩托拉克14行詩》（選自“巡禮之年”─義大利）
第47首、第104首、第123首
Tre Sonetti di Petrarca (from Années de Pélerinage –Italie):
Sonetto 47, Sonetto 104, Sonetto 123
《骷髏之舞》（改編自聖桑同名管弦樂曲） 聖桑─李斯特
Danse Macabre, S. 555 Saint-Saëns / Liszt:
The largest and best-known portion of Liszt's music is his original piano work. During the Weimar period, he composed 19 Hungarian Rhapsodies, themselves revisions of his own Magyar Dalok/Rhapsódiák. His thoroughly revised masterwork, "Années de pèlerinage" ("Years of Pilgrimage") includes arguably his most provocative and stirring pieces. This set of three suites ranges from the virtuosity of the Suisse Orage (Storm) to the subtle and imaginative visualizations of artworks by Michelangelo and Raphael in the second set. "Années de pèlerinage" contains some pieces which are loose transcriptions of Liszt's own earlier compositions; the first "year" recreates his early pieces of "Album d'un voyageur", while the second book includes a resetting of his own song transcriptions once separately published as "Tre sonetti di Petrarca" ("Three sonnets of Petrarch"). The relative obscurity of the vast majority of his works may be explained by the immense number of pieces he composed, and the level of technical difficulty which was present in much of his composition.
Franz Liszt (1811 – 1886) 〈琴聖李斯特〉
弗朗茲·李斯特（Franz Liszt）（德語：[ˈˈɪɪt]；匈牙利語：李斯特·費倫茨（Liszt Ferencz），現代用法[李斯特·費倫茨（Liszt Ferenc），[list 1fɛrɛnt͡s]； [n 1] 1811年10月22日至1886年7月31日）是匈牙利作曲家，演奏家鋼琴家，指揮，音樂老師，編曲家 和浪漫主義時代的風琴師。 他被廣泛認為是有史以來最偉大的鋼琴家之一。[1] 他還是作家，慈善家，匈牙利民族主義者和方濟會的第三會會友(：一般指認同某修會宗旨的週邊組織、贊助者)。
***
簡介請參考 Robert Wernick〈琴聖李斯特〉讀者文摘 1987年11月號，頁65~69
Bryce Morrison《李斯特》 台北：智庫文化，1995 (應該好好解釋封面的"桌面")
(English)
File
File history
File usage on Commons
No higher resolution available.
Four_ages_Liszt.jpg (650 × 272 pixels, file size: 175 KB, MIME type: image/jpeg)
On 13 January 1886, while Claude Debussy was staying at the Villa Medici in Rome, Liszt met him there with Paul Vidal and Victor Herbert. Liszt played Au bord d'une source from his Années de pèlerinage, as well as his arrangement of Schubert's Ave Maria for the musicians. Debussy in later years described Liszt's pedalling as "like a form of breathing." Debussy and Vidal performed their piano duet arrangement of Liszt's Faust Symphony; allegedly, Liszt fell asleep during this.[33] https://en.wikipedia.org/wiki/Franz_Liszt
https://www.youtube.com/watch?v=acyszPPlqic
YOUTUBE.COM
Franz Liszt - Années de pélerinage; Claudio Arrau
Franz Liszt - Années de pélerinage les jeuxd d´eaux á la villa d´Este Années de Pèlerinage (Años de Peregrinaje) (S.160, S.161, S.163) es un conjunto de tres...
Hanching Chung
On 13 January 1886, while Claude Debussy was staying at the Villa Medici in Rome, Liszt met him there with Paul Vidal and Victor Herbert. Liszt played Au bord d'une source from his Années de pèlerinage, as well as his arrangement of Schubert's Ave Mari……
更多
EN.WIKIPEDIA.ORG
Franz Liszt - Wikipedia
***
在YouTUBE很容易找到這些 Franz Liszt 的好作品：其中：
Kempff plays Liszt - Deux légendes, S. 175; No. 2; St. François de Paule marchant sur les flots https://www.youtube.com/watch?v=nhiiqfKqh1A
Jump to navigationJump to search
The
Deux légendes (
French:
Two legends) are a pair of pieces for solo piano, (S.175 in the catalogue compiled by
Humphrey Searle) by
Franz Liszt, written in 1863.
In 1863 Liszt made an orchestration of both legendes , S. 113 a/1 and S. 113 a/2.
No. 1: St. Francis of Assisi's sermon to the birds[edit]
St. François d'Assise: La prédication aux oiseaux, S.175/1 is based on a story of St
Francis of Assisi. It is said that, one day, while Francis was travelling with some companions, they happened upon a place in the road where birds filled the trees on either side. Francis told his companions to "wait for me while I go to preach to my sisters the birds." The birds surrounded him, intrigued by the power of his voice, and not one of them flew away.
[1] The
key of the piece is
A major, often associated by Liszt with religious sentiment.
[2] The piece contains representations of birdsong, one of the few examples in Liszt's works of
onomatopaeia.
[3] No. 2: St. Francis of Paola walking on the waves[edit]
St. François de Paule marchant sur les flots, S.175/2 is based on a legend of
St. Francis of Paola, according to which he was refused passage by a boatman while trying to cross the
Strait of Messina to
Sicily. He reportedly laid his cloak on the water, tied one end to his staff as a sail, and sailed across the strait with his companions following in the boat.
[4] The piece was inspired by a picture owned by Liszt of St. Francis of Paola (who was Liszt's
name saint), drawn by
Eduard von Steinle. Liszt described it in a letter of 31 May 1860 to
Richard Wagner: "On his outspread cloak he strides firmly, steadfastly, over the tumultuous waves - his left hand holding burning coals, his right hand giving the sign of blessing, His gaze is directed upwards, where the word '
Charitas', surrounded by an
aureole, lights his way!"
[5]
***
DW Culture
Franz Liszt died on 31 July 1886. He is considered the world's first pop star in the modern sense, complete with scandalous stories involving womanising, alcohol and hysterical fans. Liszt captivated audiences with his incredible skills on the piano and toured Vienna, Paris and Weimar, giving the city to its second golden era after Goethe.
科克托Jean Cocteau(1889 - 1963)與查理·卓別林同時出生於1889年，所不同的是，卓別林出生於英國倫敦一個平民的家庭，而科克托則降生於巴黎一個富有的家庭，自幼便浸潤於上流社會的氛圍中。六歲的時候，科克托便觀看了盧米埃爾兄弟早期的影片《水澆園斗等，並接觸到了戲劇和馬戲。他九歲的時候，父親開槍自殺。父親的死成了他一生都無法擺脫的魔咒，悲劇主題在他日後的創作中循環出現，死亡與血追隨著他的作品，如《詩人之血》、《雙頭鷹》、《永恆的回歸》、《俄耳甫斯的遺囑》等。極具藝術修養的外祖父每個周末都帶他去聽音樂會，他因此發現了貝多芬、李斯特、瓦格納等，音樂的熏陶對他一生的創造精神產生了深刻的影響。
沒有留言:
張貼留言