禮拜天美術神遊：歐仁·德拉克洛瓦（Eugène Delacroix）在巴黎聖敘爾比斯教堂（Saint-Sulpice）的壁畫（1855-1861）
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Above a burning pyre, King Sardanapalus, draped in white, reclines on a sumptuous jewel-inlaid bed adorned with gilded elephant heads and covered with scarlet fabric, as his cruel sentence is carried out. This complex, superhuman figure, both judge and executioner, actor and spectator, lies semi-recumbent on the bed, one hand supporting his head. With his beard and turban, he resembles a Mughal or Qajar sultan, while his pose evokes a classical statue, a figure by Michelangelo, Delacroix’s Michelangelo in his Studio, Rembrandt’s Jeremiah Lamenting the Destruction of Jerusalem, or Heraclitus in Raphael’s School of Athens. The force of the composition matches the violence of the event; the subject matter, architectural setting, dramatic technique and tension, theatrical effects of light, and gestures of fear evoke the work of English painters such as Turner, William Etty, and John Martin. The painting is surprising too for the daring of its foreshortened perspective, for the effects of light, and for the cool, clear colors that propel the heart of the scene toward the viewer. The painting features a diagonal - emphasized by the flames of the pyre and the sensually writhing bodies - that crosses from bottom right to top left, its colors gradually changing from a deep red to a pearly pink against which the creamy flesh of the naked bodies and the raw white of the king's drapery are accentuated. As the city burns in the distance, the palace seems swept away on a raging wave that destroys all notion of hierarchy, gender, species, and rank. All logic is lost as masters, soldiers, slaves, men, women, animals, bodies, objects, attitudes, movements, materials, life, and death are tangled together in piteous disarray, brutally cast into the furnace because of the king's arrogant refusal to surrender. Eugène Delacroix, The Death of Sardanapalus, 1827, oil on canvas, Louvre Museum, Paris.
貼過一小孩仰視的黑白照
Ce lundi 26 novembre, les étudiants de L Ecole nationale supérieure d'architecture Paris-Malaquais
prolongent votre visite au musée Delacroix en vous emmenant découvrir les peintures de l'artiste dans l'église Saint-Sulpice. 
Profitez à 15h d'une visite proposée par les agents du musée et partez ensuite à 16h à la découverte de l'église Saint-Sulpice. 
© 2017 – Musée Delacroix / Musée du Louvre - Olivier Ouadah
禮拜天美術神遊 (2)：Claude Monet (1840–1926)的兩花園 Argenteuil (1871~78)、 Giverny (1883 起~1926)
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